大矢あいみ – 制服SCANDAL

一奶同胞的兄弟洪达和洪宇同属于卡尼亚军方的秘密猎毒小队，在执行东南亚边境扫毒任务时，被狡猾的大毒枭贡泰偷袭，即将成为父亲的洪达为掩护弟弟洪宇牺牲，洪宇背负巨大的创痛回到家中，无法面对一对孤儿寡母，加盟新组建的独狼小队，重返边境为哥哥报仇。

　　探员大细与外籍女神探欲破一诱骗少女往外埠卖淫集团，却被油脂青年生事而破坏行动，无功而回。飞车权以婴孩作掩饰而偷运枪械，却于大车上被探员散仔男无意揭破。权见事败，跳车而逃。负密令返港之杀手荷兰飞及荷兰牛得悉权难完成使命，杀之灭口。二人欲械劫投注站却被大细与散仔男知悉而包围……

随着妍静突然宣布重返职场，                                                                      　　她们发现自己离家的时间明显增多。                                                                      　　之前一直疏远她心爱的钢琴的米娜，                                                                      　　开始回避家人。                                                                      　　之前一直回避运动的镇秀，突然每个假期都离家去锻炼。                                                                      　　随着秘密越积越多，沟通也变得支离破碎，                                                                      　　三人变得疏远却又亲近。                                                                      　　然后，有一天，一次偶然的相遇，                                                                      　　将妍静、米娜和镇秀的秘密串联了起来……                                                                      　　嘘！当你打开这扇秘密之门，                                                                      　　一个非常特别（？）的家庭故事就此展开！

　　In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.　　imdb comment