满清禁宫奇案
别名:满清禁宫秘史 清代同治皇帝,因常常私出禁宫,寻欢作乐,终染梅毒而殁,被视为荒y-君主,但是事情背面,却有一段哀怨恸人的爱情故事。同治(宋本中饰)虽贵为皇帝,却无实权,事事皆由慈禧太后作主,年少气盛的同治深感不满,但却无法,只好与宫女桂莲(翁虹饰)倾吐。桂莲与同治两小无猜,年岁比同治为大,事事关怀,形同姐弟,但是二人内心深处,均视对方为情人。亲政之前,慈禧为同治选皇后,慈禧早已内定慧妃为后,岂料同治自以为是,自立皇后,母子联系再增隔阂,从此种下祸根。慈禧贴身宦官安德海一贯垂涎桂莲美色,三番四次对桂莲不敬,终为同治知悉,联同小李子(梁思浩饰)及徵贝勒(王书麒饰),将之怒打,安德海怀恨在心,在慈禧面前进言,逐桂莲出宫,然后加以y-虐。最终更将之卖落八大胡同当娼。机缘巧合下练成床上必杀技『天龙八部』。大婚之夜,皇后承欢,但是在同治心中,一直视皇后为桂莲的化身。不多,风闻桂莲在八大胡同呈现,同治遂在徵贝勒安排下私出禁宫,寻觅桂莲下落。桂莲未能寻获,却为花花世界所招引,先被白俄罗斯女郎色诱上床,继而迷上妓女的超凡床上技,不时以寻觅桂莲为藉口,收支八大胡同。在机缘巧合下,同治与桂莲重逢,二人彷如隔世。但是同治已染上梅毒,并且病发,桂莲为之沉痛不已。另一方面,慈禧决以天花之症治疗同治,避免丑事外扬。同治临终前夕,命令暗算安德海,以报桂莲之辱。成果安德海被诛,同治驾崩,桂莲毁容殉帝,以示贞操。
剧情简介
别名:满清禁宫秘史 清代同治皇帝,因常常私出禁宫,寻欢作乐,终染梅毒而殁,被视为荒y-君主,但是事情背面,却有一段哀怨恸人的爱情故事。同治(宋本中饰)虽贵为皇帝,却无实权,事事皆由慈禧太后作主,年少气盛的同治深感不满,但却无法,只好与宫女桂莲(翁虹饰)倾吐。桂莲与同治两小无猜,年岁比同治为大,事事关怀,形同姐弟,但是二人内心深处,均视对方为情人。亲政之前,慈禧为同治选皇后,慈禧早已内定慧妃为后,岂料同治自以为是,自立皇后,母子联系再增隔阂,从此种下祸根。慈禧贴身宦官安德海一贯垂涎桂莲美色,三番四次对桂莲不敬,终为同治知悉,联同小李子(梁思浩饰)及徵贝勒(王书麒饰),将之怒打,安德海怀恨在心,在慈禧面前进言,逐桂莲出宫,然后加以y-虐。最终更将之卖落八大胡同当娼。机缘巧合下练成床上必杀技『天龙八部』。大婚之夜,皇后承欢,但是在同治心中,一直视皇后为桂莲的化身。不多,风闻桂莲在八大胡同呈现,同治遂在徵贝勒安排下私出禁宫,寻觅桂莲下落。桂莲未能寻获,却为花花世界所招引,先被白俄罗斯女郎色诱上床,继而迷上妓女的超凡床上技,不时以寻觅桂莲为藉口,收支八大胡同。在机缘巧合下,同治与桂莲重逢,二人彷如隔世。但是同治已染上梅毒,并且病发,桂莲为之沉痛不已。另一方面,慈禧决以天花之症治疗同治,避免丑事外扬。同治临终前夕,命令暗算安德海,以报桂莲之辱。成果安德海被诛,同治驾崩,桂莲毁容殉帝,以示贞操。
为你推荐
血腥姐妹会
科林·伊格斯菲德,迪伦·斯派比利,米娅·罗斯·弗兰普顿,兰迪·库卓,莱克西·阿特金斯,Lala Kent,Sarah McDaniel,雷卡·雷内,梅莉尔·罗斯,泰勒·乔恩·奥尔森,凯瑟琳·勒,塔尼娅,谢伊·巴克纳,詹妮弗·提图斯,Natali Yura智慧与美貌并存的Riley进入大学后加入了一个人人眼羡的姐妹会,成员都有着维密天使般的脸蛋和身材,可姐妹会中的成员却相继死去,被连环杀人犯取掉身上了一部分做成玩偶,一个想要睡遍姐妹会中所有人的帅哥Carter成为首要嫌疑人,软件Row的秘密也随之浮出水面,Riley的妈妈竟曾也是姐妹会的一员 她的死背后隐含着什么秘密
特蕾莎修女
劳米·拉佩斯,西尔维娅·侯克斯,尼古拉·里斯坦诺夫斯基,Ekin Corapci,Marijke Pinoy,拉宾娜·米特威斯卡讲述特蕾莎修女一生中关键的7天,即她决定离开加尔各答的洛雷托·恩塔利修道院,创立自己的修道会的时期。
长春花园
赵胤熙,金周灵,许栋元,郑仁谦昭熙(赵胤熙 饰)的幸福家庭一夕变调,不仅目睹丈夫昌秀(许栋元 饰)在眼前上吊,腹中宝宝也不幸流产。尚未走出丧偶伤痛的她不顾姐姐惠兰(金姝怜 饰)劝阻,搬到丈夫留给她的一栋郊区花园别墅,但昭熙入住后,发现这栋房子充满挥之不去的恐惧诡异感,仿佛有某种毛骨悚然的存在正在诅咒着自己,随着骇人命案接二连三发生,这栋别墅的秘密似乎也被慢慢揭开…
呕吐戈尔3:慢性折磨呕吐室
这是三部曲的最后一部,故事围绕着将自己奉献给撒旦的妓女展开。这部影片的内容是极端而黑暗的,令人作呕的情节屡屡出现,充斥着暴力,性,裸体,体液!一群女孩子和一个男人抠喉咙催吐,然后吃掉呕吐物,再吐出来……
最后的维京人
麦斯·米科尔森,尼古拉·雷·卡斯,拉斯·兰特,苏菲·格拉宝,卡尔多·拉扎齐,拉尔斯·博格曼,索伦·莫灵,尼可拉斯·布若,波笛·约根森,安妮特·斯托维尔拜克,丽克·路易丝·安德森,Klaus Søndergaard,莉拉·诺贝尔,Susanne Breuning,Bue Wandahl,Peter Düring,Alfred Røssel Læsø,Nomi Bodnia,Joel Hesse Johansen这部犯罪喜剧片讲述刚出狱的劫匪安可,联手因童年创伤分裂出失忆人格的弟弟曼弗雷德,共赴童年老宅掘地三尺——既要挖出当年埋藏的赃款,更欲掘开尘封记忆的潘多拉魔盒。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
非凡
马克·韦伯,露西·格里菲思,大卫·克莱顿·罗杰斯,雷恩·威尔森天才科学家大卫创造了世界首具拥有高度人工智慧的机械人亚当,并邀请当红的科技杂志记者荞依,进入实验室进行一週的近距离专访。在採访的过程中,荞依深受聪明又充满抱负的大卫吸引,萌生情愫的两人开始越走越近,而将一切看在眼裡的亚当,竟产生如人类般的忌妒情绪,行为更变得有些怪异与偏激...