绝种贱男之小男人小周记

怒袭

前“兵王”阿龙为寻找失踪女儿，孤身潜入血腥犯罪园区。从诈骗园区到器官黑市，他孤身对抗整个血腥系统，直到与幕后Boss昆麦展开最终决战……

毕正明的证明

　　从小立志成为警察的毕正明（王安宇 饰），在报到第一天便被意外致残，沦为“一日警察”。渴望证 明自己的他，怀揣一腔孤勇闯入盗贼团伙“荣门”。伪装后的毕正明长期蛰伏，一次偶然机会，成功加入大白桃（张天爱 饰）带领的盗贼“团队”，在反扒队长大周（聂远 饰）的指引下，逐渐揭开荣门背后的神秘面纱。　　身藏贼伙如履薄冰，热血少年能否保持初心证明自己？当时代车轮滚滚而逝，贼帮猖獗“奇观”不再， 如今的安定和安全也是我们最好的“证明”。

绑架门口狗

　　大学讲师元俊（李成宰 饰）因为不懂巴结上司而失去了晋升的机会，加上家中唠叨的妻子，都使他烦心不已。邻家的狗总是叫个不停，本来心烦意乱的他听到狗吠声后更加不耐烦了，竟然把人家的狗捉走了，藏在地牢里。邻居寻狗的启事第二天便张贴了出来。　　秘书千男（裴斗娜 饰）看到了这则启事后便加入了寻狗的行列。她十分厌倦平日办公室的工作，只想有上电视的机会。　　一次元俊又听到了狗吠声，当他到地牢一看时，他藏起来的那只狗不见了。

一千灵异夜之血的疑惑

嗨，妈妈！

　　In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.　　imdb comment

恐怖故事3：火星来的少女

　　由连续并相互构陷的恐怖元素和花絮构成。此次《恐怖故事3》跨越时间将故事呈现，“过去”设置在恐怖故事“狐狸窟”，“现在”聚焦在路怒症Road Rage，“未来”段落围绕人工智能“机械力”。向观众展现不同的元素，释放不同恐怖刺激时本片的内容和目标。