黑蝴蝶的故乡
《黑蝴蝶的故乡》线上看,由多姆·卡如库斯基导演,尼洛·苏瓦加,汤米·柯贝拉,卡等演员领衔主演,影片主要讲述了别名：Tummien perhosten koti / The Home of Dark Butterflies[网友传是属于少年青春期片片]主人公是个名叫朱汉尼(Juhani)的十三岁孤儿，因为个性顽劣不羁而且屡教不改，在连续换了许多个家庭仍然不适应之后，终于被政府勒令送到了一个远离尘嚣的问题少年管教所寄宿，一个叫做;男孩之家;的小岛，直到其改邪归正为止。这个位于孤岛上的问题少年管教所，寄宿的都是一些行为偏激的男孩。朱汉尼刚进管教所的第一天，就被其他的宿友教训了一番。院长对他的态度也颇不友善，但是经过相处，朱汉尼发现这些并不是想象的那么讨厌，并开始融入新的生活环境。最终当管教所失去政府的,黑蝴蝶的故乡"
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剧情简介
《黑蝴蝶的故乡》线上看,由多姆·卡如库斯基导演,尼洛·苏瓦加,汤米·柯贝拉,卡等演员领衔主演,影片主要讲述了别名：Tummien perhosten koti / The Home of Dark Butterflies[网友传是属于少年青春期片片]主人公是个名叫朱汉尼(Juhani)的十三岁孤儿，因为个性顽劣不羁而且屡教不改，在连续换了许多个家庭仍然不适应之后，终于被政府勒令送到了一个远离尘嚣的问题少年管教所寄宿，一个叫做;男孩之家;的小岛，直到其改邪归正为止。这个位于孤岛上的问题少年管教所，寄宿的都是一些行为偏激的男孩。朱汉尼刚进管教所的第一天，就被其他的宿友教训了一番。院长对他的态度也颇不友善，但是经过相处，朱汉尼发现这些并不是想象的那么讨厌，并开始融入新的生活环境。最终当管教所失去政府的,黑蝴蝶的故乡"
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阿尔菲1966
阿尔菲（迈克尔•凯恩 Michael Caine 饰）生活在繁华的大都市伦敦，平日里最大的爱好便是出没于灯红酒绿的声色犬马之场所。阿尔菲自认为是当代唐璜，流连于不同女人的温香软玉的怀抱之中，私生活十分混乱。 无论是未经人事的清纯少女还是已有家室的成熟人妻，阿尔菲都会散发他强烈的男性魅力，将对方征服。就连在染病住院期间，阿尔菲都没有放过和性感美艳的小护士共赴云雨的机会。某一日，阿尔菲邂逅了美丽的寡妇卢比（谢利•温特斯 Shelley Winters 饰），让前者没有想到的是，自己的撩妹之术在卢比那里竟然全无作用。不仅如此，曾经对他趋之若鹜的女人们也都渐渐地离开了他。
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嗨，妈妈！
In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment