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小镇突袭
雷·利奥塔,多米尼克·珀塞尔,迈克尔·帕尔嗜血族
Daut Shaikislamov,Syrym Kashkabayev,Kilishbek Kasimbekov,Asan Mazhit百米。
松坂桃李,染谷将太,笠间淳,高桥李依,田中有纪,种崎敦美,悠木碧,内田雄马,内山昂辉,津田健次郎,榎木淳弥,石谷春贵,石桥阳彩,杉田智和何以阳光
宇桐非,梁镜珂,苏一龙,李华,郑龙,孟靖,张绮烟超凡世界
约翰·迈尔斯,Géza Röhrig,迈克尔·古尔德,海莉·卡迈克尔,奈德·丹内利,赫立德·阿卜杜拉,艾力克·高敦,塔尼娅·雷诺兹,塔格·墨菲,扬·贝弗特,凯特·迪基,萨姆·卢维克,阿德里安·劳林斯,Slavko Labovic,乔纳森·凯斯,伯恩·戈曼,西蒙·曼勇达,蒂姆· 普莱斯特,道格拉斯·罗素,拉多米尔·尼科利奇时速72
弗兰克·斯帕诺,乔治·阿克拉姆同类精选
梦乡2019
芬恩·科尔,玛格特·罗比,崔维斯·费米尔,凯瑞·康顿,达比·坎普,罗拉·科克,Stephen Dinh,Tim D. Janis,Pab Schwendimann,格雷森·贝里,加内特·赫德兰,Hans Christopher,安迪·卡斯特利奇,Joe Berryman,保罗·布特,埃布·罗提么,雅各布·布朗,弗兰西斯·李·麦克凯恩,布鲁斯·麦金托什心中的恶魔
Fernanda Andrade,Simon Quarterman,Evan Helmuth,Ionut Grama,Suzan Crowley呕吐戈尔3：慢性折磨呕吐室
贞子大战碟仙
黄焱明,赵紫彤机械怪兽
乔治·纳德,Claudia Barrett机器人艺妓
木口亚矢,长谷部瞳,斋藤工,竹中直人,志垣太郎,亚纱美影视排行
毛骨悚然撞鬼经 2020秋季特别篇
稻垣吾郎,上白石萌音,片冈爱之助,水上恒司,川岛铃遥,桐谷美玲,菜菜绪,长泽雅美,神木隆之介,伊藤淳史,堀北真希,坂上忍,生田绘梨花,生驹里奈,白石麻衣,西野七濑,斋藤飞鸟,佐藤健本集收录新作《造了不开启的房间》《有内情的KTV》及过去二十年名作选《交出手臂》《身后的女人》《深夜的镜像》《悬崖下》《书本招来的幽灵》《出租车司机的经历》《多出一人的电梯》《颜之道》。
猫吻：当你打开心扉的那一瞬间
吴东旻,류아벨失去妻子后，没有灵魂地生活的童话作家赵容熙。他只要去妻子画画的房间，就会出现过度呼吸的症状，很久没进过那个房间了。但是从某一天开始，那个房间里开始传来奇怪的声音。鼓起勇气打开房门的龙熙。妻子房间的天花板漏水，住着在仁偷偷藏起来的小猫。在仁拜托我养猫，雪上加霜的是，来修理天花板的木匠哈罗恩提议把闲置的房间变成猫的房间…龙熙究竟会做出什么选择？
鬼镜
基弗·萨瑟兰,宝拉·巴顿,Cameron Boyce,Erica Gluck,艾米·斯马特警探本•卡森（Kiefer Sutherland 基弗•萨瑟兰 饰）因枪杀同事被迫从纽约警察局提前退休，他的婚姻也随之破裂。落魄的本暂住在妹妹安琪（Amy Smart 饰）的公寓里，终日借酒浇愁。一段时间沉沦过后，本重抖精神，找到了一份保安的工作。他所供职的五月花购物商场五年前曾被大火毁于一旦，令他倍感奇怪的是，在这座焦黑的建筑物中，那一面面镜子却格外明亮。 数日后，本在商场的镜子上发现奇怪的手印，而次日亦在妹妹家的镜子上见到恐怖的景象。接下来的日子里，恐怖事件接连发生……
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster