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食梦者
佐藤健,神木隆之介,小松菜奈,桐谷健太,新井浩文,皆川猿时,山田孝之,宫藤官九郎,中川雅也,染谷将太无主之人
伊利亚·伍德,卢克·柯比,阿莱卡萨·帕拉迪诺,罗伯特·帕特里克,W·厄尔·布朗,Gilbert Owuor,克里斯蒂安·克莱门松,雨果·阿姆斯特朗,尼卡恩·罗宾逊,威尔·哈里斯,Emily Berry,Steven Pritchard,Jarrett Sleeper,道格·考克斯,汤姆·维图狼群之中
特雷斯·阿德金斯,杰夫·法赫,维多利亚·普拉特,史宾塞·洛克,詹姆斯·拉索,弗里·J·史密斯,汤姆·贝伦杰,爱德华多·芬莱,约翰·马尔斯,菲尔·伯克睡美人2014
菲恩·琼斯,Grace Van Dien,Catherine Oxenberg,Casper Van Dien,Olivia d'Abo,Michael York,Edward Lewis French,Maya Van Dien,Celeste Van Dien,Clive Sawyer,Christina Ulfsparre,David Elliot,Dylan Vox,Georgia Hull,Gil Kolirin,Jonas Talkington,Kalina Stoimeno邻居们
巴斯特·基顿,爱德华·克莱因,杰克·杜非,The Flying Escalantes,弗吉尼亚·福克斯,乔·基顿,乔·罗伯茨目中无人
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莫·吉里根鬼媾人
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谈善言,卢镇业,彭杏英,冯素波,区嘉雯,太保,许博文,文颂娴恩典
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二宫和也,丰川悦司,铃木保奈美,生濑胜久,杏,水原希子,远藤要,和田聪宏,中村育二,萩原圣人影视排行
婚前婚后2013
赵越,李小晶出品单位: 河南天河电视剧制作中心 赵喜顺一心想和瑞梅结婚,瑞梅也很喜欢赵喜顺,但瑞梅必须让喜顺从县城买一套房子,赵喜顺的父亲赵老六原来在剧团唱戏,剧团散伙后就在郑山妞的小戏团打工,手里也没有多少钱,喜顺和瑞梅的婚事只有不欢而散。喜顺娘愁的不得了,因为儿子的婚事赵老六不能再去郑山妞的戏团演节目了。 郑山妞的小戏团虽然小,台口倒也不少,因为赵老六的节目非常受群众欢迎,赵老六的退缺使小戏团面临倒闭,郑山妞只好求赵老六出来帮忙,赵老六儿子娶不上媳妇不会出来。 郑山妞的女儿郑玉风是一个非常懂事的闺女,在父母的包办下早已和西村定亲,因为有怪味,玉风娘听说以后下定决心一刀两断,郑山妞正好引势利导把玉风介绍给了赵喜顺,赵喜顺看到玉风十分漂亮,当即就应下了这门亲事,随后赵喜顺在和郑玉风的接触中,玉风是百依百顺,逆来顺收,令赵喜顺百思不得其解……
画笔与旋律
Laura Chiatti,Salvatore Langella,Filippo Nigro马蒂亚是一个画家,与一位有抱负的歌手同居,他靠艺术市场的变化来谋生。
人肉炸弹
莉斯尔·阿勒斯,蕾内·斯沃特,肖恩·卡梅伦·迈克尔九个朋友,去森林露营过程中他们经历了一个疯狂的夺命之夜。派对醒来时,九个人胸前绑着自杀式炸弹,倒计时钟上都有不同的时间。当他们发现可以通过杀死对方来“占用”对方的时间时,自相残杀开始了。
嗨,妈妈!
罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment