同居换换爱
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Santosh Shoban,Kavya Thapar,Shraddha Das大小姐和看门犬2025
福本莉子,杰西,樱井海音,杉本哲太,饭田基祐,佐佐木希,香音,松井遥南,ぐんぴぃ粉红豹2006
史蒂夫·马丁,凯文·克莱恩,让·雷诺,艾米莉·莫迪默,亨利·科泽尼,杰森·斯坦森,克里夫·欧文,碧昂丝上帝保佑美国
乔尔·默里,塔拉·林内·巴尔,梅琳达·佩吉·汉密尔顿,麦肯泽·布鲁克·史密斯,里奇·麦克唐纳,麦蒂·哈森,拉里·米勒,朵瑞·巴顿,特拉维斯·韦斯特,阿里斯·阿瓦拉多,桑德拉·维尔加拉关于他们
阿娜伊斯·德穆斯蒂埃,费利克斯·莫阿蒂,索菲·费尔贝克,帕特里克·德阿萨姆曹,劳尔·卡拉米尘中之物
艾伦·穆尔黑德,贾斯汀·本森,萨拉·阿迪纳·史密斯,Wanjiru M. Njendu,Issa Lopez,温尼·柯伦,Jeremy Harlin,盖尔·克莱宾,C·罗伯特·嘉吉,连恩·盖文,Ariel Vida,Megan Rosati,David Clarke Lawson Jr.,Lonnie Finley,Michael Felker,斯蒂凡尼亚·切拉噪反城市
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阿娜伊斯·德穆斯蒂埃,费利克斯·莫阿蒂,索菲·费尔贝克,帕特里克·德阿萨姆曹,劳尔·卡拉米天算不如人算
安吉丽娜·朱莉,爱德华·伯恩斯,托尼·夏尔赫布幸福是一个复杂的系统
哈达斯·雅伦,瓦莱里奥·马斯坦德雷亚,朱塞佩·巴蒂斯通超时空传输
罗比·阿梅尔,瑞切尔·泰勒,肖恩·本森,亚当·布切,坦图·卡丁诺,Gray Powell,Jacob Neayem,杰米斯皮尔切克好戏时间7
阿部宽,龙星凉,生见爱瑠,前原瑞树,平原哲,内山昂辉,安藤玉惠,平田满,井川遥,吉田钢太郎,锦户亮地球特派员
约纳斯·基布雷亚布,佐伊·索尔达娜,雷米·埃德格利,布兰登·穆恩,布拉德·加内特,贾米拉·贾米尔,杨·迪伦,杰克·戈特曼,马提亚斯·施维赫夫,安娜·狄拉·雷格拉,冈冢敦子,雪莉·亨德森,渡边直美,布兰登·亨特,阿妮莎·博雷格,谢尔碧·杨,鲍勃·彼德森,凯特·穆格鲁,塔马拉·图尼幕后花絮
嗨,妈妈!
In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
大蛇5:怪兽都市
太平洋雨夜,海滩尸骸遍野,货船遭巨兽撕碎,灾难预兆降临。边郊监狱内,死刑犯乌川临刑前夜遇史前大蛇袭击,混乱中越狱,却在唐人街被女警秦雅擒获。 恰逢驲珲化工爆发蛇灾,乌川母亲被困车间,他拒捕欲救人,此时各类史前怪兽肆虐,城市沦为炼狱。二人与幸存者躲进超市,合力斩杀潜藏怪物。众人查明,驲珲化工违规排海才引生物报复。 吴川挺身营救母亲与幸存者,击败大蛇阻止二次污染