腥天堂乐团：巨乳好兴奋
《腥天堂乐团：巨乳好兴奋》线上看,由加藤义一导演,神咲诗织,萤,桃宫桃子等演员领衔主演,影片主要讲述了天狼星剧院是一家安静地坐落在乡村的电影院。 深受当地人喜爱，开业营业。 在那里工作的福山，考入电影学校成为一名电影导演，毕业后到片场工作，却赚不到钱，负债累累，父母叫他回家，但他还是想要接触电影，所以他安静地坐在天狼星剧院。,腥天堂乐团：巨乳好兴奋"
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杰克与吉尔
亚当·桑德勒,阿尔·帕西诺,凯蒂·霍尔姆斯,Elodie Tougne,罗翰·昌德,欧赫尼奥·德尔维斯,大卫·斯佩德,尼克·斯旺森,蒂姆·麦道斯,艾伦·卡瓦特,诺曼·麦克唐纳徳,吉奥夫·皮尔森,维勒莉·玛哈菲,加里·瓦伦廷,达纳·卡维母女马拉松
Zlata Adamovská,Tereza Kostková,维罗妮卡·库巴罗娃,耶诺夫法·波科娃,翁德雷·维特希,弗拉迪米尔·波利夫卡,马丁·霍夫曼,波莱克·波利夫卡,Michaela Sodomková,Samuel Gyerták,Aron Vetchý,Antonín Kracik,Petr Vondrácek,大卫·克劳斯,Jitka Bartonícková,雅罗米尔·诺塞克,奥德·马利,Tereza Mackova,Katerina Mlejnková,Kristýna Schwarzov星河战队
卡斯帕·范·迪恩,迪娜·迈耶,丹妮丝·理查兹,杰克·布塞,尼尔·帕特里克·哈里斯,克兰西·布朗,塞斯·吉列姆,帕特里克·茂顿,迈克尔·艾恩塞德,露·麦克拉纳罕,马绍尔·贝尔,埃里克·布鲁斯科特尔,马特·莱文,布蕾克·林斯利,安东尼·瑞维瓦,布兰达·斯特朗,迪恩·诺里斯,克里斯托弗·柯里,莱诺尔·卡斯多夫,罗伯特·斯莫特,斯蒂芬·福特,罗伯特·大卫·豪尔,艾米·斯马特,蒂莫西·奥门德森,代尔·戴女帅男兵
蒋雯丽,陈宝国,刘强,刘烨,英达谋杀穆巴拉克
潘卡·特里帕蒂,迪宝·卡帕蒂娅,维杰·维玛,卡瑞诗玛·卡普尔,萨拉·阿里·汗,蒂丝卡·乔普拉,库纳尔·赫姆,桑杰·卡普尔,Tara-Alisha Berry,Kiara Sadh,Hardika Sharma,Alok Panwar,Neeraj Saidawat,Ashok Chhabra,Amaara Sangam变身飞人2
迈克尔·比奇,莫妮卡·德兰,莱斯利·霍普斯 ,布瑞特·凯利,迈卡·威廉姆斯,布鲁·曼库马同类推荐
知我者
Salvatore Costa,Vincenzo Crea,杰西卡·塞西,Maurizio Di Carmine,阿贝尔·费拉拉,Andrea Giannini,Franco Idone,吉皮耶罗·朱迪卡,安妮塔·克拉沃斯,Stella Mastrantonio,Romeo Pellegrini,Beatrice Puccilli,Daniele Saladini,玛雅·珊萨,葛丽泰·斯卡拉诺Loving girlfriend, family fortune, breakout movie role: he's got it all. Until an app awakens a powerful new yearning. While in Rome to shoot his first movie, Niccolò becomes obsessed and sent into a self-destructive spiral.
狂龙伏妖
陈浩民,乔牧,肖明玉赤屠龙师兄三人得知祖师爷被将要化成蛟龙的蛟妖所伤，于是自告奋勇去降妖。师兄来到升平镇，遇到何府抢婴，得知从骷髅精追回婴儿的妖人可儿，是年轻时与“梅花鹿精”素素之女。可儿告知母亲被蛟妖控制在阴风洞。升平镇内也是怪事连连，许家儿女行为异常，无忧和常乐布下天罗地网捉拿蝙蝠精；另一边荒郊大宅赤屠龙救下少爷荣华。蛟妖获悉得知强敌当前，双方展开激斗，因蛟妖法力强大，赤屠龙身受重伤；他取出祖师爷所赠的锦囊，悟出真谛，入蛟妖体内将其歼灭。素素吐出修练的仙珠救下奄奄一息的赤屠龙，重返深山望有朝一日能得道成仙。
24：逆转时空
苏利耶·西瓦库马,萨曼莎·鲁斯·帕布,内森·梅农一个天赋异禀的钟表匠有一个从小跟随自己的神秘盒子，想尽办法都没能打开，终于有一天他得到了盒子的钥匙，打开后发现了令自己兴奋异常的东西，殊不知，他同时也打开了一段尘封26年的爱恨情仇。想知道真相的他无所畏惧，却偏偏误入狼口，怎样才能逆转时空？一个又一个新的计谋在一次次穿越中扭转乾坤……
限时单身2
詹卡洛·科马尔,吉安马克·修雷诺,安德利亚·福奥托,Claudio Colica,弗朗西斯科·盖吉,莉迪亚·维塔莱,朱利奥·科索,Nicole Rossi,米尔科·特罗瓦托,卢卡·梅卢奇,Marta Filippi,玛丽安娜·迪·马蒂诺,Francesco Castaldi,里卡尔多·曼陀里尼,弗朗西斯卡·努齐,Giorgia Trasselli,米凯拉·吉罗Tre anni dopo la morte di Denis, l'amico che li ha uniti, Antonio e Luca incrociano di nuovo le loro esistenze. Antonio è diventato un pasticciere di successo e workaholic. Luca invece ha conosciuto Tancredi, operatore di una casa-famiglia per giovani LGBTQ+, che lo ha aiutato a superare una fase complessa della sua vita. Quando i due si ritrovano, Antonio - la cui vita sentimentale stenta a decollare - capisce di provare qualcosa di importante per Luca, e gli propone di rilevare insieme il forno di famiglia che l'amico è stato costretto a vendere. Un'avventura che ha come scopo finale la (ri)conquista di Luca. Nonostante Cristina, l'amica storica, sia scettica, Antonio tenta di sabotare la relazione di Luca, convinto che il passato sia tornato per aiutarli. Sarà davvero così? O è solo un'illusione?
活树林
阿尔弗雷多·兰达,亚力杭德拉·格雷皮,费尔南多·巴尔维德Malvís (Alfredo Landa) is sick of working like crazy for nothing. He'd rather become a bandit, that's much better, he's gonna be the fearful Fendetestas! He'll spread panic in the woods of his region. But there's a little problem: there aren't much people living in his region, everyone knows everyone and everyone is so poor, so is gonna be difficult that someone takes Malvís/Fendetestas too seriously. This is a magic history, so funny, and full of situations that will make you laugh. It's also full of characters that belong to the Spanish idiosyncrasy: the strict priest, the Guardia Civil, the old devout women, the village idiot... there's even a lost soul wandering around the woods. The great Alfredo Landa heads a cast that gathered together the best two generations of Spanish scene: from Fernando Rey to Encarna Paso, from Manuel Alexandre to María Isbert... A cast like that would be just unthinkable nowadays. "El Bosque Animado" was the first movie of José Luis Cuerda's trilogy of rural comedies (after this one he made the surreal "Amanece Que No Es Poco", and "Así En El Cielo Como En La Tierra". Those are movies so personal that stress the Spanish culture. The young directors should take note of films like "El Bosque Animado", instead of trying to be the new "enfant terrible" and imitating US worst cinema.