姐夫的欲望
在线观看
剧情提要
暗夜精选
邀请函
娜塔莉·伊曼纽尔,托马斯·多赫蒂,斯蒂芬妮·科内柳森,阿拉娜·博登,西恩·帕特维,休·斯金纳,维拉格·巴拉尼,考特尼·泰勒,卡塔·萨博,伊丽莎白·康塞尔,斯科特·亚历山大·杨,杰瑞米·惠勒,卡罗尔·安·克劳馥,克里斯蒂娜·格蕾丝·萨尔科丁丁与蓝橙子
让-皮埃尔·塔尔博特得闲谨制
肖战,彭昱畅,周依然,杨新鸣,阿如那,甘昀宸,周思羽,严知度,尹正,祖峰,廖凡,许君聪,江奇霖,任程伟猎金·游戏
刘德华,欧豪,倪妮,黄奕,蒋梦婕,郑则仕,刘以豪,赵海燕,李梦男,田丽,张晨光,连凯,张琪,麦长青,赵永洪胡加尔的一天
本·卫肖,丽贝卡·豪尔音乐之声
朱莉·安德鲁斯,克里斯托弗·普卢默,埃琳诺·帕克,理查德·海顿,佩吉·伍德,查尔敏·卡尔,希瑟·孟席斯-尤里克,尼古拉斯·哈蒙德,杜安·蔡斯,安吉拉·卡特怀特,黛比·特纳,基姆·卡拉思,安娜·李,波希娅·纳尔逊,本·怀特,丹尼尔·特鲁希特,诺玛·威登,吉尔克里斯特·斯图尔特,马妮·尼克松,埃瓦德妮·贝克,多丽丝·劳埃德,格特鲁德·阿斯特,弗兰克·贝克,史蒂夫·卡鲁瑟斯,山姆·哈里斯,多罗西·吉金斯,利奥达·理查德斯,杰弗里·塞尔,伯纳德·赛尔,诺尔曼·斯蒂凡斯,伯特史蒂文斯,玛丽亚·冯·特拉普我的老板是连环杀手
萨哈拉·桑卡布理查,莫妲·娜琳叻,波莉雀娅·彭娜妮可,邦沙敦·宗威拉克同系列推荐
蛤蟆博士
金乃千,王若荔,耿晓璐,孙慕华,赵春常,金康民,俞旺昊,刘育华,罗启,林征,顾迪芬,张炎,刘冠雄,谢晓黎求职记
迈尔斯·特勒,安娜·肯德里克,布莱恩·科兰斯顿,爱丽森·布里,马西娅·盖伊·哈登,拉维·帕特尔,克里斯托夫·梅兹-普莱瑟,豪尔赫·加西亚,约翰·C·麦金雷,约翰·赵,尼可拉斯·博朗,卡梅隆·理查德森,布鲁斯·戴维森,布兰登·T·杰克逊,格雷格·格曼,朱莉安娜·亚历山大黑白游龙2023
杰克·哈洛,兰斯·莱迪克,劳拉·哈里尔,缇雅娜·泰勒,辛奎·沃尔斯,塔梅拉·基森,J·阿方斯·尼科尔森,扎克·斯坦纳,帕利斯·妮可,肯尼迪·波特,伊曼·克罗松,LeChristopher Williams,Phillip-Charlie Daniell,Gerald 'Slink' Johnson,Vince Staples,Landyn Lu,Andrew Schulz柏林综合症
泰莉莎·帕尔墨,马克思·雷迈特,马蒂亚斯·哈比希,艾玛·巴丁,艾尔迈拉·拜赫尔米,克里斯托夫·弗兰肯,露西·阿伦,纳西姆·阿瓦特,马琳·斯特芬,图索·勒克维,拉拉·玛丽·缪勒,玛雅·阿布斯贝格春兰秋菊
章杰,黄婉秋,常文治,石维坚,何玲,王之夏,刘燕瑾,李孟尧,赫海泉,蔡占璞,高鸿玲,章申,崔美玲,杨宾逆转上半场
梁咏琪,陈湛文,凌文龙,梁雍婷,朱栢康,陈辉虹幕后花絮
赏金猎猪
赏金猎猪，一只被人类雇佣去抓捕那些逃亡动物的猪。在追捕一只从一个邪恶马戏团逃亡的大象过程中，但却陷入了一场两只动物的全球冒险之中，这也在慢慢改变他的一些观念。
嗨，妈妈！
In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment