肉体记忆
《肉体记忆》线上看,由导演,FinleyBlake等演员领衔主演,影片主要讲述了剧情简介 : Finley Blake supports herself by performing live online erotic webcam shows. Because of this, her young son was taken from her and she is desperately trying to get him back. She is 33 years old and alone, with only her cat and the rats that inhabit her house in Austin, Texas. The film capture,肉体记忆"
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怪化猫：火鼠
长岛雄一,日笠阳子,堀内贤雄,细见大辅,梶裕贵,神谷浩史,黑泽朋世,户松遥惊魂太空舱
埃德蒙德·金斯利,丽莎·格林伍德,戴维·韦曼,奈吉尔·巴伯,吉尔·科雷林,迈克尔·寇特斯,约瑟芬·费洛斯,加里·赫伦沉默2020
尼古拉·科斯特-瓦尔道,卡勒布·埃尔斯沃斯·克拉克,乔什·克鲁达斯,安娜贝拉·沃丽丝,扎恩·迈克拉农,赫洛·费因斯-提芬,丽莎·克罗马蒂,利兰·阿西内瓦,凯拉·杜蒙,肖恩·史密斯,杰森·贾兹拉维,布里埃尔·罗比拉德,梅兰妮·斯科洛凡诺,夏洛特·林赛·马荣,帕特里克·加洛,莎农·卡诺瓦斯凶器
乔什·布洛林,朱莉娅·加纳,阿尔登·埃伦瑞奇,奥斯汀·艾布拉姆斯,卡里·克里斯托弗,王汉斌,埃米·马迪根,琼·黛安·拉斐尔,托比·哈斯,梅丽莎·庞西奥,惠特默·托马斯,凯莉·舒特拉,杰米斯·巴特勒,萨拉·科普金,奥布雷·布洛克维,塞尔吉奥·杜克,克莱顿·法里斯,嘉莉·吉布森,杰森·特纳,乔伊·希尔珊迪大电影：拯救比奇堡
卡罗琳·劳伦斯,汤姆·肯尼,克兰西·布朗,比尔·法格巴克,劳伦斯先生,罗德格尔·邦帕斯,约翰尼·诺克斯维尔,克雷格·罗宾森,格蕾·德丽斯勒,伊利娅·伊索雷利·保利诺,马修·卡德瑞普,旺达·塞克丝,克里斯托弗·哈根,瑞欧·亚历山大,瑞恩·贝盖,凯瑞·华格伦,玛丽·乔·卡特利特,吉尔·塔利,迪·布拉雷·贝克尔,迈尔斯·哈尔两栖人
弗拉基米尔·科列涅夫,安娜斯塔西亚·维尔金斯卡娅,米哈伊尔·科扎科夫,尼科莱·西蒙诺夫,弗拉德连·达维多夫同类推荐
抵挡计划
Donald Cerrone,凯利·林恩·莱特,Vincent E. McDaniel,布兰迪·罗德里克,Chris Maher一名被困在公寓里的年轻人，门外有一群恶魔，他必须找到一种方法度过夜晚，逃离213号公寓。
古畑任三郎 凶手是大使阁下
田村正和,松本白鹦,及川光博,木村多江,八岛智人,津川雅彦驻南美某国日本大使馆，大使黛竹千代（松本幸四郎 饰）为人冷酷严厉，奢华无度，他利用职权之便大肆敛财，引得当地民众怨声载道。适值外务大臣即将来访的重要时刻，作为参事的川北健（及川光博 饰）不愿再涉足泥潭，准备召开媒体恳谈会将大使的罪行公布于众，他也由此引来杀身之祸。与此同时，刚巧来南美洲度假的古畑任三郎（田村正和 饰）因护照被猴子偷走而被迫滞留，所幸遇到了无处不在的花田（八岛智人 饰）而暂得栖身之地。不久之后，绑架川北的勒索信函送至，但是这封疑点重重的勒索信马上便引起古畑刑警的怀疑…… 本片为《古畑任三郎》系列第五部SP。
惊声尖笑6
马龙·韦恩斯,肖恩·韦恩斯,安娜·法瑞丝,雷吉娜·赫尔,小达蒙·韦恩斯,格雷格·韦恩斯,金·韦恩斯,本尼·齐尔克,卡梅伦·斯科特·罗伯茨,切里·奥特莱,克里斯·艾略特,戴夫·谢里登,海蒂·加德纳,洛奇林·莫罗,奥利维亚·罗斯·基根,鲁比·斯诺伯,哈萨尼·维贝兹·科默,西德尼·帕克,乔恩·亚伯拉罕斯,费莉莎·罗斯,萨凡纳·李·梅,迈克尔·利维,比利·斯洛特,Kai Cenat两位好友再度卷入一场涉及杀手、怪物和超自然生物的混乱事件。
怀旧者
朗贝尔·维尔森,萨缪尔·乔斯林,Scott HindsIn the futuristic city of Vanille, with properly tuned ImmerSyst Eyes & Ears the world can look and sound like a paradise. But the life of a father and his young son threatens to disintegrate when the father's device begins to fail. Desperate to avoid facing his own traumatic reality, the man must venture outside to find a replacement, into a city where violence and danger lurk beneath a skim of beautiful illusion.
从今天到明天
Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.