午后繁华东区
《午后繁华东区》线上看,由긴다이치 코고로导演,미시마 나츠코等演员领衔主演,影片主要讲述了对于想要被爱的人 恢复胸部弹性！ 三岛夏子与蜜月不同 我担心她的丈夫不关心她。 然后有一天，她碰巧是年轻的 只要您想退回，就会看到美观的广告。 三岛怀着对丈夫的爱的期待来到了这里。 她在那里遇到了女按摩师Hatanaka。 他通过多种技术满足她的需求，包括乳房按摩。 令人尴尬的是一段时间，此后，三岛对丈夫的反应是继续按摩。 毕竟，有一天我丈夫出差出差，他给Hatanaka打电话回家。,午后繁华东区"
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跨国银行
克里夫·欧文,娜奥米·沃茨,阿明·缪勒-斯塔尔,乌尔里奇·汤姆森,布莱恩·F·奥博恩规模庞大几乎盘踞全球的跨国银行IBBC在这个钱权主宰的社会里简直无所不能，它不仅操控着各国经济，牵制着政府的决策，甚至参与洗钱、贩卖军火、勒索绑架等各种黑道行动，它就像一只大章鱼将触角伸向黑夜的每个角落。国际刑警路易斯·塞林格（克里夫·欧文 Clive Owen 饰）目睹同事因企图泄露银行机密而遭遇暗杀，他决意受命前往柏林彻查IBBC洗钱内幕，得益于另一位正义者副检察官埃莉诺·惠特曼（娜奥米·沃茨 Naomi Watts 饰）的同行协助，两人很快发现了跨国银行更多鲜为人知的非法活动，甚至包括资助恐怖分子和发动战争。两人决心揭露跨国银行的真实面目，然而，无所不知的IBBC早已注意到这两只蝼蚁，杀手随即派到，路易斯和埃莉诺最终能否赢得这场螳臂当车的生死周璇？
惊变28年2：白骨圣殿
阿尔菲·威廉姆斯,拉尔夫·费因斯,杰克·奥康奈尔,基里安·墨菲,艾玛·莱尔德,毛拉·伯德,艾琳·凯利曼,齐·刘易斯-帕里,罗伯特·罗兹,萨姆·洛克,吉哈兹·艾尔·鲁法埃,娜塔莉·库斯托,Elliot Benn末日丧钟再度敲响，带领观众直视人性毁灭的炼狱，感染者的威胁和幸存人类的邪恶。
傲娇公主的奇幻冒险
马雷克·兰博拉,安娜·菲亚洛娃,Ales Procházka黑白童话《骄傲的公主》是捷克电影史上收视率最高的电影之一。《被惩罚的骄傲》是博泽娜·内姆科娃最美丽的童话故事之一。难怪有史以来最成功的捷克真人童话电影就是基于它改编的。这是一部动画翻拍。克拉索米拉住在一个金笼子里。她幼稚地骄傲，她的刻薄顾问也支持她。他们想把她嫁给一个软弱的人，保住权力。然而，他们遇到了邻国正义的国王米罗斯拉夫。他爱上了克拉索米拉公主，决定治愈她的骄傲。作为一名园丁，他设法做到了。然后，在王国顾问的愤怒面前，他们一起逃跑了。他们的道路充满了狂野的冒险，这让他们更加亲密。克拉索米拉不知道她逃跑的园丁是国王。她在大结局中发现了。她原谅米罗斯拉夫否认自己的真实出身，并嫁给了他。顾问们被赶走了，爱情胜利了。
四人新世界
董骠,吕方,黄韵诗,吴雪雯,秦沛,吴启华,邵国华飞叔移民到加拿大与儿子哈哈一起生活。在飞机上认识了一位来自大陆的黄艳秋，并有意撮合艳秋和哈哈，飞叔与艳秋的姨妈是一对欢喜冤家，艳秋和一个富家花花公子一起，哈哈很沮丧，飞叔鼓励儿子向艳秋表白。哈哈买下一块地，想转头赚钱，但买家临时改变主意，令哈哈欠下一笔钱，飞叔、姨妈、哈哈、艳秋开始了四人新世界……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
大家的歌
白滨亚岚,片寄凉太,小森隼,佐野玲於,关口Mandy,中务裕太,数原龙友,早见明里,槙田雄司,穂紫朋子,天野花奈,山川真里果在本作品中，人们听了从某个卡式录音带中流淌出的“某个旋律”后，自己也渐渐哼唱起了那个旋律，被卷入了不可思议的事件中。