剧情纵览
该片讲述30000万虚拟货币,引发几路人马争抢,暴露出来的人性,堪比台风过后的现场。
该片讲述30000万虚拟货币,引发几路人马争抢,暴露出来的人性,堪比台风过后的现场。
凯丽(蓓尔·保利 Bel Powley 饰)是名声大噪的天才少女,18岁便获得了哈佛大学的毕业证书。虽然每个人都觉得凯丽拥有着前途无量的未来,但对于凯丽来说,每一天她都生活在郁闷和沮丧之中。凯丽的母亲自幼就离开了她,如今,相依为命的父亲派尔必(加布里埃尔·伯恩 Gabriel Byrne 饰)竟然也决定组建新的家庭。 察觉到了凯丽的彷徨,父亲将名为佩特罗夫(内森·连恩 Nathan Lane 饰)的心理医生介绍给了凯丽,佩特罗夫给了凯丽一份清单,上面罗列着六项任务,佩特罗夫向凯丽保证,只要她完成了这两项任务,就能够重新找回快乐,一切真的如他所说的那么简单吗?
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
少年田劲的父母早年为了将西医带入藏地做出了无数的牺牲,由于无法适应高原的生活,田劲的妈妈带着尚在襁褓中的儿子返回内地,爸爸拉格巴则在高原继续着他的事业。数年过后,妈妈病故,无依无靠的田劲来到高原寻找爸爸,然而心中却藏着无数的怨恨。拉格巴终日忙碌行医,任凭儿子自行学习牧羊。某天,田劲遭到狗熊的威胁,幸亏一只金色的藏獒相助,后来更因种种机缘让他与这只名叫多吉的藏獒成为最亲密的朋友。与此同时,草原上出现了专门残害生灵的恶魔,牧民的平静生活被彻底打破……本片根据杨志军的小说《藏獒》改编,由中日两国联合制作,日本著名漫画家浦泽直树还担任了人设和导演的工作。
Upon arrival to Venus, cosmonauts find furious volcanoes and sundry prehistoric beasts in Klushantev's film, based on a novel by the Soviet sci-fi writer Aleksandr Kazantsev. Footage has been recycled in three Corman productions: Voyage to the Prehistoric Planet, Queen of Blood, and Voyage to the Planet of Prehistoric Women (the directorial debut of Peter Bogdanovich). 83min