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狄仁杰之通天谜案
韩栋,罗立群,沈芝弈,杜奕衡,吴春怡,谭琍敏,傲蕾,罗予甜武周时期,扬州城出现诡异命案,七具死状凄惨的尸体被扭曲成赎罪姿态,狄仁杰感受到最强烈的压迫感,真相彷佛就蛰伏在每个献祭者最温热的血脉中,斗转星移,一桩尘封多年的旧案浮出水面,那些精心编织的惩戒之网却是某个古老禁忌往事的倒影......
工厂蛇患
吴廷烨,阳蕾,陈信喆,恩璟,徐绍航,刘安棋,李龙,锦泷,饶广平东南亚某工厂在一次意外中挖出了被群蛇占据的墓穴,工厂惨遭蛇患,无数工人命丧蛇口。幸存者们组织捕蛇小队清理蛇患,却陷入更大危机.....
罗莎夫人
西蒙·西涅莱,Samy Ben-Youb,米莎尔·巴特阿达姆,Gabriel Jabbour,热蕾耶·丰塔内拉,克洛德·多芬故事发生在巴黎阿拉伯人和犹太人聚居区,那里有许多妓院。上了年纪、体弱多病的犹太妇女罗莎,负责照顾一群妓女所生的孩子,而她自己过去也曾当过妓女,并在纳粹集中营度过一段可怕的时光。影片主要表现罗莎夫人与她所照顾的一个阿拉伯男孩令人感动的关系。
荒村怪谈
李文豪,杨雅涵,张萌萌,钟云鹏,贺颖怡,沈竹,王文采,苏禹铭,李朋霏,刘君豪规则怪谈!鬼村见鬼!千年荒村自古有"人鬼相处规则"。青年男女结伴夜闯阴山鬼林,破坏规则,导致鬼灵还魂,鬼啸瘆人,鬼影骇人,鬼杀夺命!一个美艳女子突然被鬼现锁喉,另一个精壮青年又被鬼爪掏心……阴风阵阵,尖叫四起,一场排队送人头的祭献大戏阴森上演,生者想死无门,却又无处可逃!究竟是千年的冤魂冲破魔咒到人间索血啜饮?还是古老地狱中逃出的怪兽掠杀食人?土匪也惊恐逃亡,猎手也慌不择路!夜半的茅草屋,怪叫撕心裂肺,鬼脸贴窗凝望,野鬼BOSS终将现行,终极"规则绝杀"如期而至!众人早已灵魂出窍,一具具行尸走肉又将如何战栗?
极主夫道 电影版
玉木宏,川口春奈,志尊淳,古川雄大,玉城蒂娜,Megumi,安井顺平,田中道子,白鸟玉季,中川大辅,片冈久道,水桥研二,本多力,川岛邦裕,桥本润,泷藤贤一,稻森泉,竹中直人,吉田钢太郎,安达祐实,松本真理香,藤田朋子,猪塚健太,新川优爱,渡边邦斗
从今天到明天
Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.