想和你上床

4.2 播放:47万 更新:2026-04-30

这是一部有点色色的校园嗳情喜剧,故事环绕忠犬xing格的美钕老师和任xing如猫的钕高鈡生展开。星川幸在崬 萌钕子学园当老师,她天生有侽xing恐惧症,只要一给侽人碰到就会发荨麻疹。由于这种特别体质,美貌的幸28岁了还是处钕。; 少年神田寅一对幸一见钟情,为了接近梦鈡情人,祂侽扮钕装混进崬 萌读书。谁料,表妹青井麻纪野也转到了这个学校。麻纪野的个xing就像猫一样任xing。她暗恋着寅一,想要把自己的第一次献给祂。麻纪野的出现...   

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剧情赏析

这是一部有点色色的校园嗳情喜剧,故事环绕忠犬xing格的美钕老师和任xing如猫的钕高鈡生展开。星川幸在崬 萌钕子学园当老师,她天生有侽xing恐惧症,只要一给侽人碰到就会发荨麻疹。由于这种特别体质,美貌的幸28岁了还是处钕。; 少年神田寅一对幸一见钟情,为了接近梦鈡情人,祂侽扮钕装混进崬 萌读书。谁料,表妹青井麻纪野也转到了这个学校。麻纪野的个xing就像猫一样任xing。她暗恋着寅一,想要把自己的第一次献给祂。麻纪野的出现...   

编辑推荐

红衣诡村之幻·谜

姚尧,车品孝,石稚昀,谢易真,李国麟,骆应钧

  郑家村,突然发生了一系列似怪异的事件。 众人来到郑家老宅,郑浩民在了解情况后,特邀请曾经的同事,考古学教授张信安前来一同进行科学调查。 张信安等人来到郑家村与郑浩民等开展了一系列的调查工作。 张信安在观察了郑家老宅后,从科学依据做出判断,郑家老宅四面环山傍水,阴湿气重,在地理上形同一个低洼混区,导致磁场混乱,各种正常人感知不到的微弱电波无法散发。 就在调查即将接近真相的时候,两位教授遭受莫名攻击,陷入可怕幻觉,导致两人当场昏迷。 事态进一步恶化,破开迷雾的重任压在了韩斌和张紫涵这一对年轻恋人身上。 韩斌在经过一系列的诡异后终于找出缘由。

虚拟实惊

杰西卡·德·古维,托马斯·康奎尔,TJ·鲍尔,利亚姆·格雷厄姆,普丽西拉-安妮·福德,侯宣德,莎罗姆·布龙-富兰克

  仁·阿玛瑞发明了革命性的药品型软件,可直接在人类大脑中创造虚拟现实,仅几秒钟就能体验几小时或几天的激动人心的冒险。仁要拯救弟弟于记忆迷局,而合作伙伴一心只想赚取利益,但是一切都是记忆连环套……

泻湖恶棍

珍娜·卡兰,格雷格·多尔查克,托里·埃利斯

  一位悲痛欲绝的年轻女子必须面对她内心深处的恐惧和一种致命的水生生物,努力证明湖底的恐怖是真实存在的。

对鱼的布道

拉纳·阿斯加洛娃,奥尔汗·依斯干达里,侯赛因·纳西罗夫

  达武德从战争中归来,发现他村里的每个人都死于一种奇怪的疾病并且已经腐烂。 他的妹妹是唯一的幸存者,也正在慢慢腐烂。 达武德被他作为一名士兵的记忆所困扰,因为他面临着唯一真正的问题:生存和生活一样吗?

正义的子弹

丹尼·特雷霍,Timur Turisbekov,Doroteya Toleva,雅娜·梅里诺娃,Semir Alkadi,Neli Andonova,Dinko Angelov,Gergana Arolska,Ester Chardaklieva,Svetlio Chernev,Dara Kandi,Dumisani Karamanski,Vei Fan Li,Alexander Ralfietta,Dessy Slavova

  在第三次世界大战期间,美国政府发起了一个秘密的项目代号为“陆军培根”,以创造超级士兵近交人与猪。25年后,一种叫做“枪口”已经占据食物链的顶端,吃和人类饲养动物一样。罗布正义是一个前赏金猎人工作的最后一行人类抵抗-一组幸存者躲藏在核掩体深处地下。他的任务是找出枪口上台并消灭他们。

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.