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剧情提要
日文名:赤い密室,;赤色密室2 是延续了相同的主题,从;红房间,虽然与新players.Again有一些真正扭曲的虐待狂,血腥暴力和性暴力的场面,例如一个人得到他的鼻腔分钟牙刷擦洗到处都是血爆发或在一个真正令人厌恶的场景就结束,直到一个家伙是谁拳打在笼子里的女性之一,感觉里面的东西her.He抓斗保持和拉他所有的力量,痛苦的三英寸长的胎儿脐和弦码所以,如果你喜欢;红厅,你会不会失望这块仍然认为坂大辅的;穆赞E是一个更好的film.Give以及看看。
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塔提阿娜·玛斯拉尼,罗西弗·萨瑟兰,伯克特·图尔顿,艾琳·博伊斯,泰丝·登根斯坦,克莱尔·福莱森,克里斯汀·帕克,洛根·皮尔斯,艾拉·韦杰尔,格伦·戈登,伊芙琳·伯克,吉娜·武尔塔焦,艾琳·蒂普尔无归客
宋洋,陈立农,姜珮瑶怪物2023
安藤樱,永山瑛太,黑川想矢,柊木阳太,高畑充希,角田晃広,中村狮童,田中裕子爱情坐标
凯莉·罗兰,马索·曼恩,Chris Kapeleris,亚历桑德拉·卡斯蒂略,梅兰妮·利什曼,罗宾·席德,安妮·冈萨雷斯,大卫·皮纳德,Nck Name,丹尼尔·马力克, 卡洛斯·冈萨雷斯-维奥,Elena Khan,Melissa Bray,Ava Blackwood,Connie Manfredi,Ronald P Boone Jr.,Cynthia Menard,Arabella Williams,安德·雷特尔,Hannah Yohannes指控之后
普拉蒂巴·兰塔,康柯纳·森·沙尔玛入主客房
圭多·卡普里诺,卡米拉·菲利皮,爱德华多·佩谢,Romeo Pellegrini钢铁飞龙之再见奥特曼
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王天野,景岗山,三浦研一,任悦鸣纳粹僵尸
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怒兽出笼
Story follows an out-of-work steel worker as he struggles to provide for his family and avenge his brother's death by fighting in a mixed martial-arts match against a dangerous opponent.
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.