偷来的未婚夫
春天来了20岁的Suzu很高兴将来能和她结婚。 然而，有一天，Suzu有了未婚夫Toru，自出生起就被任命。 根据很久以前的习俗，您必须嫁给Toru，这是Suzu的父母死后想要的。 说服铃鹿 但是，当已经相亲的Suzu拒绝时，Toru被迫触摸Suzu。 两者合而为一。托鲁变得赤身裸体，并在男友面前承认了两者之间的关系。 我想自己放弃。但是，当他的男朋友永不退缩时，Suzu感到失望的是他的男朋友放弃了他的男友钱，然后选择了自己的钱。 Suzu终于向Toru打开了大门，发誓Toru将永远不会放弃Suzu。 像Suzu的父母一样，我们承诺彼此相爱，从此过上幸福的生活。
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编辑推荐
大明嫔妃之攻心
宋洋,何杜娟,关慧卿,陈一诺张清远死后兰心终日郁郁寡欢，太子误以为她还深爱张清远，嫉妒不已，故意亲近其她妃子来刺激和报复兰心。兰心本已对太子暗生情愫，见状却只能伤怀。 姚芊芊明白了四面楚歌的危险，为保腹中孩子，她四处笼络人心，颇见成效。 王恭妃查出了兰心和张清远的私情，盛怒之下将兰心打入冷宫。太子偷偷潜入冷宫和兰心相见，两人终于明白了对方的深情，情动之下有了一夜温存…… 后来，兰心被诊出怀有身孕，王恭妃却根本不相信这个孩子是太子的……
七个以下
方·基默,文·瑞姆斯,鲁克·高斯The story centers on a group of strangers trapped in a time warp house where a terrible event transpired exactly 100 years prior.
我的老婆是女优
Artur Ignatenko,莉莉娅·茨维利科娃,亚历山大·梅尔尼克马丁是一名成人电影行业的经纪人，在一家夜总会侦察时，他遇到了达莎。她在洗手间里给他看了一些非常有才华的东西，他开始考虑让她在一部成人电影中扮演一个角色。这个行业最近变得非常时髦，他向她承诺，她将成为超级明星，她的电影将炸毁网络。然而，。..
绝命空间站
Julia Franz Richter,乔治·布莱顿,马克·伊瓦涅2056 - Company soldier Hannah and scientists Gavin and Dimitri are on board of RUBIKON space station researching an algae project aimed to provide humanity with a permanent supply of oxygen and food. But all of a sudden the earth beneath them disappears in a brown, toxic fog and all contacts are broken - are they the last survivors? Should they leave the safe station, risk their lives by flying back? What is worth living for, what is worth dying for?
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
对鱼的布道
拉纳·阿斯加洛娃,奥尔汗·依斯干达里,侯赛因·纳西罗夫达武德从战争中归来，发现他村里的每个人都死于一种奇怪的疾病并且已经腐烂。 他的妹妹是唯一的幸存者，也正在慢慢腐烂。 达武德被他作为一名士兵的记忆所困扰，因为他面临着唯一真正的问题：生存和生活一样吗？