花一样的女鬼
《花一样的女鬼》线上看,由Choi Yeong-min (최영민)导演,Ahn Jae-min (안재等演员领衔主演,影片主要讲述了[讲述了男主人公在女鬼们的帮助下实现初恋的故事],花一样的女鬼"
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红色之州
迈克尔·帕克斯,梅丽莎·里奥,约翰·古德曼,迈克尔·安格拉诺,凯尔·加尔纳三十九级台阶
罗伯特·多纳特,玛德琳·卡洛,露西·曼海姆,戈弗雷·特尔,佩吉·阿什克罗福特,约翰·劳里,海伦哈耶,怀利·沃森,格斯·麦克诺顿,查尔斯·贝内特,马修·博尔顿,阿尔弗雷德·希区柯克,迈尔斯·马勒森,弗雷德里克·派珀,约翰·特恩布尔,Frank Cellier,Jerry Verno,Peggy Simpson,Ivor Barnard,Noel Birkin,Carleton Hobbs,Vida Hope,Elizabeth Inglis,James Knight,Hilda Trevelyan,S.J.康普茶
Zoe Agapinan,Charin Alvarez,Rachel Benson,Zachary Bernat,Paige Bourne回到从前
伊桑·霍克,艾玛·沃森,大卫·休里斯,戴文·博斯蒂克,戴尔·迪奇,艾伦·阿什莫,亚当·布切,大卫·丹席克,阿隆·艾布拉姆斯,罗泰尔·布鲁特,彼得·麦克内尔棋拳风暴
郑嘉颖,胡鸿钧,刘心悠,栢天男,陈欣妍,夏嫣,黄宗泽,黄百鸣,石修,刘锡贤,卢海鹏,黎燕珊,黄文标,白彪海底两百里
沃尔特·皮金,琼·芳登,芭芭拉·伊登,彼得·洛,罗伯特·斯特灵同类推荐
炸掉银行经理
路易斯·托萨尔,戈雅·托莱多,哈维尔·古铁雷斯,埃尔薇拉·明戈斯,费尔南多·卡约,里卡多·德巴雷罗卡洛斯在一家银行支行当总经理，最近他正和妻子玛尔塔闹别扭。风和日丽的一天，他送两个孩子马科斯和莎拉上学，却发生了改变他人生命运的事。崭新的汽车上莫名其妙地出现一部手机，一个陌生男人打来电话，号称卡洛斯的车里被安置了一颗炸弹。而恰在此时，一个神秘的黑衣摩的男尾随而至。这是一个恶作剧，还是真实的绑架勒索？事情的缘起何故，卡洛斯一家命运又该如何？这部西班牙电影将为你呈现一百分钟的惊心动魄……
最终荷载
Judd Nelson,杰夫·法赫,德鲁·沃特斯,玛迪·亨德森Pierce Butler, a former Marine and long-retired marijuana smuggler, whose wife is suffering from a rare type of cancer, must return to his drug-running ways and make one Final Load in order to save his house, his company, and his wife.
连环扣
马纳夫·卡尔,薇迪亚·巴兰,莎法莉·什提,罗希尼·翰塔伽蒂,Sofiya Khan,Vidhatri Bandi,Iqbal Khan,阿巴斯·达拉勒,Mangesh Desai,Gurpal Singh,朱奈德·汗,Vijay Nikam,Ghanshyam Lalsa,Surya Kasibhatla,Shrikant YadavA hit and run of an 18 year old girl becomes the hub of a wheel that sets into motion many a spoke - a journalist , a raging mother, a cop and a system all caught in an ethical dilemma. Questions raised only to realise that truth is rarely pure and never simple.
末世厨房
凯恩·罗宾森,小霍普·伊克波库,亨利·劳福,鲁本·奈雅马,后路咭,克里斯塔尔,阿伦·阿萨德,拉萨克·库科伊,埃华特·詹姆斯·沃尔特斯,莱斯利-安妮·米勒,戴米·拉迪波,杰戴亚·班纳曼,菲奥娜·马尔,伊恩·赖特,阿拉贝拉·麦克穆雷,布莱德利·WJ·米勒,泰贾·卡布斯,雷娜·查基尔,泰亚尔尼·费伦-斯宾塞,奥利维娅-罗丝·科利亚德伊兹很快就可以逃脱伦敦仅存的住宅小区“厨房”。但小班吉走进他的生活后他需要做出一些艰难的决定。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.