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奥利维娅与云
Olga Valdez,Héctor Aníbal,Elsa Núñez,Dominique Goris,Fery Cordero街头之王2008
基努·里维斯,福里斯特·惠特克,休·劳瑞,克里斯·埃文斯,塞德里克·凯尔斯,杰·摩尔,泰瑞·克鲁斯,娜奥米·哈里斯,科曼,玛莎·希加瑞达,约翰·考伯特,阿莫里·诺拉斯科,Cle Shaheed Sloan,诺尔·古格雷米大明嫔妃之杀机
朱一龙,何杜娟,关慧卿,陈思璇卧底兄弟2
迈克尔·加·怀特,巴瑞·波斯威克两宫皇太后
方舒,刘冬,张光北,浦克,王志文,麦小琴,张伟克,郑榕,陈颖,邵丹,蒋君南,李乐,尹嘎,张伦,刘蓓,何赛飞,崔岱,马群,车轩,恩和森,李大禹,李栋,许昌锡,张奕,刘强,吴琼,孙汉忠,孙丽娟,袁琪明,王洪武同甘共苦
戴夫·弗兰科,爱丽森·布里,达蒙·海瑞曼,米娅·莫里西,卡尔·里奇蒙德,杰克·肯尼,弗朗塞斯卡·沃特斯,阿尔金·阿贝拉,萨拉·朗,罗伯·布朗,埃罗拉·伊瑞思,查理·里斯,MJ·多宁,汤姆·康斯丁,梅兰妮·贝蒂,弗林·宛丁,南希·芬恩,马克·罗宾逊,迈克尔·尚克斯,桑尼·S·瓦利亚人气佳作
007之明日帝国
皮尔斯·布鲁斯南,乔纳森·普雷斯,杨紫琼,特丽·哈彻,瑞奇·杰,戈兹·奥托,乔·唐·巴克,文森特·斯卡维利,朱迪·丹奇,戴斯蒙德·莱维林,萨曼莎·邦德,科林·萨尔蒙,杰弗里·帕尔默,朱利安·费罗斯,特伦斯·里格比,塞西莉亚·汤姆森,妮娜·扬,达芙妮·德克斯,科林·斯廷顿,阿尔·马修斯,马克·斯伯丁,布鲁斯·亚历山大,安东尼·格林,克里斯托弗·鲍恩,朱利安·林希德-图特,杰拉德·巴特勒,迈克尔·伯恩,皮普·托伦斯,休·博纳维尔,杰森·沃特金斯,伊恩·麦卡锡,布兰登·柯伊尔,纳迪亚·卡梅隆-布莱克利,雨果·内狂欢宴
彼得·塞勒斯,克洛丁娜·隆热,Natalia Borisova,琼·卡森,玛吉·钱皮恩,Al Checco,Corinne Cole,迪克·克罗基特,Frances Taylor,Danielle De Metz,赫伯特埃利斯,Paul Ferrara,史蒂夫·弗兰肯,Kathe Green,Allen Jung,Sharron Kimberly,James Lanphier,Buddy Lester,Stephen Liss,加文·麦克劳德拍拖故事
费昂·奥谢,洛拉·佩蒂克鲁,莎朗·豪根,巴里·沃德,西蒙妮·柯比,Evan O'Connor,伊恩·奥雷利,Emma Willis,Anastasia Blake,劳琳·坎尼,沙恩·邓恩,Adam Carolan,彼得·坎皮恩,Ally Ni Chiarain,塔拉·弗林,卡尔·赖斯,沙纳·希金斯三十一
伊丽莎白·戴利,雪莉·穆恩·赞比,丹尼尔·洛巴克,劳伦斯·希尔顿-雅各布斯导演精选
嗨，妈妈！
In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
黑衣女人2：死亡天使
1941年，第二次世界大战如火如荼。英国伦敦遭到纳粹法西斯的毁灭性轰炸，成千上万的人流离失所，更有无数儿童沦为孤儿。为了躲避战火的蹂躏，陆军军官的妻子海伦·霍格女士（海伦·麦克洛瑞 Helen McCrory 饰）与伊芙·帕金斯（菲比·福克斯 Phoebe Fox 饰）带着孤儿们登上列车，辗转来到一处偏远所在避难。经过长途跋涉，她们抵达目的地并被安排在临时的占时军队医院落脚。只不过它的前身这里正是那个黑衣女人横行盘桓的Eel Marsh House。才脱狼穴，又入虎口，惊慌失措的女人和孩子们即将迎来比战争更为可怕的噩梦，恶灵的杀戮有序展开…… 本片根据英国小说家苏珊·希尔（Susan Hill）的畅销小说改编。
割喉市
影片围绕着四个儿时的朋友在卡特里娜飓风过后回到新奥尔良下九区，他们发现自己的家和工作前景都被毁了。为了找工作，他们求助于当地的一名歹徒来实施一场大胆的赌场抢劫。但当抢劫出了问题，男孩们只得被迫进行危险的犯罪，为生存而斗争。