剧情简介
;告诉我你有多爱我，我才会懂得如何去爱。导演和她的角色们一起探索了一个关于亲密关系的研究课题。站在现实和虚幻的模糊边界之上，《不要碰我》跟随着劳拉，托马斯和克里斯蒂安的情感之旅，以一种深深的共情的姿态洞察他们的生活。对亲密关系渴求的痛死又对其抱有着恐惧，他们努力克服旧有模式，防御机制以及禁忌，去切断束缚，最终获得自由。它以最特别的手法令人思考，我们如何找到亲密感以及我们如何在爱对方的同时不失去自我。
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活着
葛优,巩俐,姜武,牛犇,郭涛,张璐,倪大红,肖聪,董飞,刘天池,董立范,黄宗洛,刘燕瑾,李连义,杨同顺根据余华同名小说改编。富少福贵（葛优）嗜赌成性，妻子家珍（巩俐）屡劝无果后带着女儿凤霞离开了他，当夜，福贵输光所有家产气死父亲，被迫靠变卖母亲首饰租间破屋过活。一年后，家珍手拉凤霞怀抱刚出世的儿子有庆回到家中，福贵痛改前非，开始靠演皮影戏过起安份守己的日子。但好景不常，内战时期，福贵被国民党抓去当劳工，一番辗转终回到家乡与一家人团圆后，凤霞因病变成哑巴，而在后来的大跃进运动和文化大革命中，他虽获某些小福，逆境却也一直与他如影相随。
傲娇公主的奇幻冒险
马雷克·兰博拉,安娜·菲亚洛娃,Ales Procházka黑白童话《骄傲的公主》是捷克电影史上收视率最高的电影之一。《被惩罚的骄傲》是博泽娜·内姆科娃最美丽的童话故事之一。难怪有史以来最成功的捷克真人童话电影就是基于它改编的。这是一部动画翻拍。克拉索米拉住在一个金笼子里。她幼稚地骄傲，她的刻薄顾问也支持她。他们想把她嫁给一个软弱的人，保住权力。然而，他们遇到了邻国正义的国王米罗斯拉夫。他爱上了克拉索米拉公主，决定治愈她的骄傲。作为一名园丁，他设法做到了。然后，在王国顾问的愤怒面前，他们一起逃跑了。他们的道路充满了狂野的冒险，这让他们更加亲密。克拉索米拉不知道她逃跑的园丁是国王。她在大结局中发现了。她原谅米罗斯拉夫否认自己的真实出身，并嫁给了他。顾问们被赶走了，爱情胜利了。
摩登衙门
郑则仕,李修贤,冯淬帆,廖伟雄,王青挣爆与大口环这对妙探﹐在一宗集团抢劫案中立功﹐调职风化群组﹐挣爆更因此升职沙展。两人因在办案中受奖﹐决定换车加薪﹐因而认识车行太子爷KK仔从而引出一波未平﹐一波又起……
公子娇
伊雷,雪梨,周聪,刘克宣周公是个70多岁的富翁，因为妻子不能生育，想娶个年轻的姑娘生个儿子继承产业。一次偶然的机会他相中了一个名叫带水的渔家女，于是买了好多时髦的东西送给带水的父母作为聘礼。而正值怀春佳龄的带水却看上了周的手下——风度翩翩的夏公子，夏公子以捧带水做明星的托口哄住她。怎料带水举止粗俗，品性不羁，忍受不了严格的瘦身美体的训练。而一直暗恋带水的炒蚬仔公子娇眼看着心上人执迷不悟地做富贵痴梦，展开了一场谐趣层生的夺妻大战……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
维克多·弗兰肯斯坦
詹姆斯·麦卡沃伊,丹尼尔·雷德克里夫,杰西卡·布朗·芬德利,安德鲁·斯科特,马克·加蒂斯,露易丝·布瑞丽,丹尼尔·梅斯,弗莱迪·福克斯,布隆森·韦伯,埃利斯戴尔·皮特里,斯宾塞·怀尔丁,卡勒姆·特纳正驻扎于伦敦的马戏团内，生活着自幼驼背的青年（丹尼尔·雷德克里夫 Daniel Radcliffe 饰）。他的丑样子只能供人家取乐，而青年独独热爱医学，尤其擅长解剖学。在某次演出事故中，青年用自己的学识救下了摔成骨折命悬一线的女演员罗蕾莱（杰西卡·布朗·芬德利 Jessica Brown Findlay 饰）。他的学问得到疯狂科学家维克多·弗兰肯斯坦（詹姆斯·麦卡沃伊 James McAvoy 饰）的赏识，于是后者想方设法将其劫了出来，还为其起名伊戈尔。在此之前，弗兰肯斯坦曾经做出盗取动物园死亡动物尸体的事情，而他这一系列的做法只为进行一项疯狂大胆的实验，那就是缝缝补补创造出来人造的生物。 疯狂之旅就此展开……
误入魔爪
Jordyn Rudolph,Brad Bell,Ryan Rudolph四名青少年在一次公路旅行中决定绕道而行，发现自己在肯塔基南部森林深处的鬼屋“万圣节尖叫公园”。在目睹了各种各样的折磨和gore之后，他们开始怀疑自己经历的事情是否有点太现实了。在他们知道之前，他们中的每一个人都被俘虏了，并成为他们原本认为可怕的乐趣和游戏的一部分…