淫乱家族
《淫乱家族》线上看,由신정균导演,한수아,한가림等演员领衔主演,影片主要讲述了研宇是一个24岁的青年在邮局在一个小镇上工作。她在她死去的黄金时期，但她有一个天真内向的性格，她远非一般的风暴和生活大风。 她甚至还没有尝试过喝呢，更何况咖啡，她周围的人认为她还年轻。然而，她从她的家人完全不一样。 她有一个不负责任的父亲，是不可能的弟弟，一个无耻的爷爷和一个非常年轻的弟弟。所有他们曾经在乎的是......女人。 她的父亲已经神魂颠倒的女子从外地来的，她的哥哥是这个女孩在咖啡馆工作后也。 她的祖父，是一个老奶奶在养老院后，和她最小的弟弟，其心脏是出于老师的话，是没有什麽比她的父亲和哥哥。唯一的人值得被称为家庭的经济支柱是她的母亲谁经营一家髮廊， 从未有一个安静的一天在家裡，而是,淫乱家族"
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剧情提要
《淫乱家族》线上看,由신정균导演,한수아,한가림等演员领衔主演,影片主要讲述了研宇是一个24岁的青年在邮局在一个小镇上工作。她在她死去的黄金时期，但她有一个天真内向的性格，她远非一般的风暴和生活大风。 她甚至还没有尝试过喝呢，更何况咖啡，她周围的人认为她还年轻。然而，她从她的家人完全不一样。 她有一个不负责任的父亲，是不可能的弟弟，一个无耻的爷爷和一个非常年轻的弟弟。所有他们曾经在乎的是......女人。 她的父亲已经神魂颠倒的女子从外地来的，她的哥哥是这个女孩在咖啡馆工作后也。 她的祖父，是一个老奶奶在养老院后，和她最小的弟弟，其心脏是出于老师的话，是没有什麽比她的父亲和哥哥。唯一的人值得被称为家庭的经济支柱是她的母亲谁经营一家髮廊， 从未有一个安静的一天在家裡，而是,淫乱家族"
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.