花样女鬼

女人

　　影片讲述了一个从小被抛弃于森林，依照动物生存模式存活下来的女人。被一个男人掳掠回家并且受尽欺凌。这家人中，男主人极度大男子主义，仇视女人。小儿子因为受父亲教导也对女人极不尊敬。懦弱并逆来顺受的母亲，被父亲侮辱而怀孕的大女儿，以及不谙世事的小女儿。故事的最后，大女儿在极度绝望和恐惧的支配下放了野女人，野女人杀了她的父母和弟弟，带走了她的妹妹。 　　本片以不太恐怖的氛围，却深刻的暗喻了一个至今仍然存在的严重的社会现象，男人应该如何看待女人，女人应该如何正确扮演家庭中的角色。

超级黑暗时代

　　故事发生在上世纪90年代的一个美国小镇上。扎克和乔西从童年时就是最好的朋友，他们每天一起骑车上下学，放学后一起玩耍，甚至喜欢上同一个女孩。然而平静的生活在某天下午被彻底打破了。聚会因大麻而失控，朋友达里尔在教室里失血过多身亡，男孩们恐慌无措地要彼此发誓保密，扎克简单的生活仿佛被撕开了一道巨大的口子，整日被罪恶感压迫地喘不过气，乔西则索性不再上学，甚至不再走出家门一步。曾经密不可分的两个男孩在数日后便产生了不可逾越的鸿沟……

惊变28年2：白骨圣殿

　　末日丧钟再度敲响，带领观众直视人性毁灭的炼狱，感染者的威胁和幸存人类的邪恶。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

下一个台风

　　台风刚过的海岛之上，一只眼受伤的城市女生林沫沫（张子枫 饰），与岛上土生土长的失语女孩阿汐（张伟丽 饰）猝然相遇。当无情的风暴逐渐撕开两人隐秘哀伤的过往，两个看似另类但炽热的青春，相互慰藉，彼此支撑，用友情的力量对抗人生的台风。随着青蚵嫂（李心洁 饰）临终透露的惊天秘密和陈淑楠（姚晨 饰）的突然闯入，席卷沫沫与阿汐的下一个台风突如其来，风眼之下，望风而逃还是迎风而上？她们必须做出抉择。

1863起义者