在公司爱爱
Nozomi，负责培训新员工的女性员工。成为初中生洋子的导师帮助她适应公司。另一方面，通过不断努力希望与恋人的关系我很紧张，开始惹恼洋子，对她一个人加班的陌生感触。恐惧却出乎意料的快乐我的力量被释放了，我的思想困惑了，当我醒来时，在自己面前两个男人和洋子都在有意义地微笑。陷入陷阱。
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德鲁·凡·阿克尔,艾丽西亚·希尔维斯通,史蒂芬·莫耶,马克·法姆吉列蒂,本杰明·亚瑟,Akaash Yadav,Simon Lees百烛游戏
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好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
何以阳光
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阿凡达：火与烬
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