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剧情简介
斯塔西暂无内容马汀、塔哈拉希姆([预言者])主演的新片[玩家](Joueurs,暂译)在巴黎开拍。曾凭借[马赛的夜]提名凯撒奖短片编剧的玛丽蒙日执导该片。剧本由导演和[女神们]编剧罗曼康宁等人共同撰写。故事围绕一个du博成瘾的人展开,一个疯狂迷恋上他的女子,不惜一切地要赢得他的心。
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三级警戒
雷恩·威尔森,里尔·莱尔·哈瓦瑞,艾米·卡里诺,罗伯·里格尔,伊薇特·尼科尔·布朗,佩吉·肯尼迪,索洛·马里多纳,崔·欧图尔,特蕾莎·麦克劳林,安迪·米尔德,阿耶莎·哈里斯,皮特·霍登,达莉娅·罗尼,迈克尔·J·希拉夫,卡梅隆·富勒,埃里克·蒋曼,梅丽莎·乔·拜莉,卢卡·琼斯,特雷莎·加里,茜耶拉·斯沃茨被破坏的男人
金明民,严基俊北京猿人
绪形直人,王祖贤,哀川翔,丹波哲郎,坂上忍,小野贤章无限密室
克里斯托弗·索伦·凯利,卡桑德拉·克拉克,卡贾尔多·林赛,杰西·D·阿罗初始者
什恩·卡鲁斯,大卫·苏利文,卡西·古登,Anand Upadhyaya,Carrie Crawford,Jay Butler,John Carruth,Juan Tapia,Ashley Warren,Samantha Thomson,Chip Carruth,Delaney Price,Jack Pyland,Keith Bradshaw,Ashok Upadhyaya,Brandon Blagg,Jon Cook,David Joyner,Eric De Soualhat黑神驹
凯利·雷诺,米基·鲁尼,特瑞·加尔,克拉伦斯·缪斯,霍伊特·阿克斯顿导演精选
死命必达
纳特(马里奥·毛瑞尔 饰)是个拥有灵异体质的外送员,他的工作因此变得与众不同,他和两位外送员好友经常接到奇怪的订单,在深夜将诡异的物品送到毛骨悚然的地方。这种赚钱方式虽然不寻常,但大多数时候他和外送伙伴们通常能对这些恐怖经历一笑置之。
万圣节传说
1)名叫蒂米的男童怨灵会在万圣节当晚四处寻找糖果,甚至会为此挖开他人的肚子;2)小男孩被逼迫去一户人家恶作剧,结果被长着角的男主人抓住,两人一起上街恶搞乃至戕害狂欢的人群;3)某户人家正坐在客厅看电影,这时有个打扮成巫婆的女孩敲门,却用刀捅了男主人,恐怖的万圣节变成灾难,当然他们正为自己的所作所为付出代价;4)二男一女不良少年团伙在万圣节之夜四处欺负他人,这时打扮成魔鬼的少年出面阻止他们,反而被三人抓住。5)老妇人和亲朋们讲述了玛丽•贝利的传说,那是一个不愿意被人看到的女人的怨灵,如果被她看到可就惨了;6)无法承受丧女之痛的女人在万圣节之夜变成了心理失衡的恶魔;7)中年人的对面,搬来几个重口味的金属青年,夜幕降临,他和重金属们发生了冲突;8)密林深处,失魂落魄的少女被无情的杀人狂追逐,突然怪事发生;9)两个劫匪企图在万圣节绑架某富豪的孩子,怎奈请神容易送神难;10)男人好不容易雕了一个南瓜头,结果南瓜头突然活了过来,大闹街头。
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.