迷睡

9.6 播放:25万 更新:2026-05-01
主演:安娜·莫雷拉 

索尼娅是一个二十岁左右的俄罗斯女孩,为了过上更好的生活,她离开了在圣彼得堡的家人和朋友,毫不犹豫地踏上了出国的征途。   实际上她是一个毫无生活经验的女孩,对未来憧憬着不切实际的幻想。她的欧洲之旅经过了德国、意大利,最终停留在了葡萄牙,索尼娅将要在那里承受巨大的苦难和堕落。而本片所要讲述的正是另一个欧洲

播放通道

详细简介

索尼娅是一个二十岁左右的俄罗斯女孩,为了过上更好的生活,她离开了在圣彼得堡的家人和朋友,毫不犹豫地踏上了出国的征途。   实际上她是一个毫无生活经验的女孩,对未来憧憬着不切实际的幻想。她的欧洲之旅经过了德国、意大利,最终停留在了葡萄牙,索尼娅将要在那里承受巨大的苦难和堕落。而本片所要讲述的正是另一个欧洲

同类推荐

人工情报

赵寅成,朴正民,朴解浚,申世景

韩国国情院特工赵科长,奉命追查跨国犯罪集团,循着牺牲情报员的线索前往俄罗斯符拉迪沃斯托克,意外与朝鲜特工朴健狭路相逢。两人围绕核心情报源蔡善花展开博弈,却同时被各自国家抛弃,被迫在忠诚、背叛与生死之间,联手揭开边境谍战的惊天黑幕。

丧尸特警

特里特·威廉斯,乔·皮斯科波,琳赛·福斯特,达伦·麦克加文,文森特·普莱斯,克莱尔·科克奈尔,陆锡麒,罗伯特·皮卡多,梅尔·斯图尔特,田中徹,Martha Quinn,Ben Mittleman,Peter Kent,Cate Caplin,莫妮卡·里维斯

 两位壮汉刑警在调查一起银行劫案时,发现犯罪分子居然个个刀枪不入。根据线索,他们找到一家公司,似乎最近的很多案件都和这家公司的一个秘密实验室有关。后来,此两位硬汉在与犯罪分子的斗争中不幸相继殉职,但这恰好给他们创造了机会——两个人亦成为试验品,他们的尸体即将被一个怀揣着极大阴谋的邪恶博士所利用……然而,哼哼,英勇的人民公安是不会向犯罪集团低头的,you can't keep a good cop dead!

牧群

  The first feminist vegan horror film, The Herd has been rejected by some film festivals for being too horrific or political. A number of kidnapped women are kept imprisoned in a squalid medical facility condemned to a life of enforced servitude at the whims of their captors, without any hope of rescue or escape.

肖菲勒

埃里卡·弗雷泽,埃里克·库比亚克,马蒂·麦克唐纳

  

公寓2024

斯文·索奇塔,细田善彦,Rous Mony,Touch Narady,Manika

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.