隐秘的访问者
《隐秘的访问者》线上看,由윤여창导演,박재훈,곽지은,이설구,이유진等演员领衔主演,影片主要讲述了[잘모르는자를집에들여낭패를본적은없는가낯선자를함부로집에들이는선의를베풀지마라창수는필름사진동호회활동하면서알게된낯선사내를집에끌어들이게되고둘이술을마시다취해잠든다.잠에서깬창수는포박돼있고아내는겁에질려있다.창수를묶어높은사내는시니컬한표정으로이광경을바라만본다.아내를지켜야겠다는생각에창수는탈출을시도한다.그런데어쩐지아내와그사내의분위기가수상하다.],隐秘的访问者"
剧情简介
《隐秘的访问者》线上看,由윤여창导演,박재훈,곽지은,이설구,이유진等演员领衔主演,影片主要讲述了[잘모르는자를집에들여낭패를본적은없는가낯선자를함부로집에들이는선의를베풀지마라창수는필름사진동호회활동하면서알게된낯선사내를집에끌어들이게되고둘이술을마시다취해잠든다.잠에서깬창수는포박돼있고아내는겁에질려있다.창수를묶어높은사내는시니컬한표정으로이광경을바라만본다.아내를지켜야겠다는생각에창수는탈출을시도한다.그런데어쩐지아내와그사내의분위기가수상하다.],隐秘的访问者"
为你推荐
星辰之怒
杰克·麦克维,安德里亚·提瓦塔,Elijah Rowen,奥塔尔·萨拉利兹,Weronika Lesiak,Jord Knotter,Malgorzata Klara,Mayu Gralinska-Sakai,Sylwia Sokolowska,Monika Gieron一个来自国际特种部队的女人的故事,她对人类即将结束有预感。《乱世佳人》是一部由多部获奖短片《不再有明星》发展而来的故事片。
猎杀星期一
劳米·拉佩斯,格伦·克洛斯,威廉·达福,马尔万·肯扎里,克里斯蒂安·鲁贝克,帕尔·斯维尔·哈根,托米瓦·埃敦,凯西·克莱尔,卡梅伦·杰克,柯尔斯蒂·阿弗顿,维加·霍尔,马达林·德拉甘,斯蒂格·弗洛德·亨里克森,亚历山大·阮,拉腊·德坎罗,玛丽·埃弗雷特,桑地亚哥·卡布瑞拉故事设定在近未来,由于人口过剩和饥荒,政府不得不实行“独生子女”政策。正因为这个严格的计划生育议程,姐妹们必须轮流使用一个人的身份Karen Settman(拉佩斯饰)。她们的祖父(达福饰)给其命名为周一、周二、周三、周四、周五、周六和周日。每个人都可以每周外出一次。姐妹们只有在自己的公寓里才可以自在生活。直到有一天,“星期一”没回家......
国家韦恩:念旧
Wayne Colley,Tamara Stackhouse,Lauren Cadogan,Savannah Gurule国家韦恩最新单口喜剧专场。
风云宝石Ⅰ:罗汉岩
甄鹏宇,邓玉莹,张潮丰陈霸先在梁朝末年以将军之身,始终如一守护风雨飘摇的王朝。因遭遇奸佞小人乘虚而入亲信背叛。经历挚友挚亲舍生取义而牺牲掩护逃离生死危机。心灰意冷之际,偶入世外桃源罗汉岩,就此遇良人遇恩师出江湖重整旗鼓。
119紧急呼叫2026 横滨大停电
清野菜名,濑户康史,见上爱,一之濑飒,前原滉,中村友理,佐藤浩市,酒井大成,三浦獠太,堀内敬子,远山俊也,长野博,莉子,柏原收史,丸山礼年末的横滨消防通信指令中心异常繁忙,事故、疾病、火灾与各种纠纷不断。此时,是否引入“AI指令员”取代人工的议题引发内部对立。除夕夜突发大规模停电,全市混乱、报警激增,指令员们在极限状态中持续接警与指挥救援。作品描绘他们直面困难时坚持工作的理由,以及“拯救他人”这一行为的真正意义。城市陷入黑暗,他们必须用仅存的“声音”守护生命。
二狗返乡记
马灿灿,李栋,胡双全,柳秉钰,梁栋,陶源品性憨直,风趣幽默,农村吃百家饭长大的孤儿石二狗,在城市打工意外获得彩票大奖五百万,之后,他风风火火的回到老家,借着酒劲给乡亲们发钱,并且还想凭这五百万娶村长的女儿石金凤,但是却遭到石金凤的嘲笑,于是他发奋要为老家人民做点大事——修路,将修路的工程包给了金凤城里的男朋友胡大光,以这样显示他的大度并期望博得金凤的欢喜,可是却由于经验的缺失和文化知识的不足,被胡大光给蒙混了,手上的钱都让胡大光骗走了,连答应给村里修小学的钱也被骗的一光二净,二狗又成了一个身无分文的穷光蛋。 二狗有钱的时候,在众多人中招聘了韩美华作为村里学校的老师,现在二狗没钱了,本以为韩美华会离开石头村,但是由于二狗的善良和执着,早已深深的打动了美丽聪明的城里女孩韩美华。韩美华利用自己的经验和智慧联手以前一直瞧不起二狗的村民们,为二狗打赢了官司。最后在韩美华的指引和村民们的帮助下,石二狗凭借自己坚韧的毅力,白手起家,带领百姓发家致富开创了崭新的事业。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.