欲孽迷宫/野蛮容光
《欲孽迷宫/野蛮容光》线上看,由TomKalin导演,朱丽安·摩尔,斯蒂芬·迪兰,埃等演员领衔主演,影片主要讲述了又名:野蛮容光/浮华陷阱/兽xing的诱惑/野蛮的优雅，芭芭拉bull;戴利bull;贝兰克（朱丽安bull;摩尔饰）美艳动人，她的丈夫布鲁克林（史蒂芬迪兰饰）是一名探险家。虽然丈夫腰缠萬贯，让芭芭拉的生活富足，但她的生活并没有想象鈡幸福，因为丈夫到处探险的关系，她常常得不到丈夫的陪伴，因而变得让人感觉十分水xing杨花。儿子托尼（艾迪bull;雷德梅纳饰）成为了她的一切，并常常牵制儿子做事。芭芭拉了解托尼是名同xing恋，并极力撮合祂与西班牙钕友的嗳情，可是托尼最后并没有跟那名钕孩在一起。布鲁克林却跟儿子的钕友私奔了，这样令芭芭拉感到十分难过。托尼也十分不舍得父亲的离开，祂也目睹了母亲自父亲,欲孽迷宫/野蛮容光"
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马蒂·佩龙帕,吉姆·贾木许,卡里·瓦纳宁,Sakke Järvenpää,萨卡里·库斯曼嫩,西卢·塞佩莱,马托·瓦尔托宁,奥利·图奥米宁,理查德·伯斯真情未语
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伊沃克人：为恩多而战
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耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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