団鬼六绳与肌
昭和初期，在一个du场里，du博师绯樱组的阿驹引退庆祝宴会正在进行。期间，阿驹踢爆了du博师弁天组阿房的骗人伎俩。并且激怒了带阿房来的石岗的老大，du场内弥漫着危险的气氛。阿榊的老大出现并平息了将要发生的恶斗。在宴会的最后，阿驹和建三结婚组建新新家庭。但是石岗对他怀恨在心，阿驹遭到了石岗手下的袭击，建三被杀害了。这样过了两年，石岗一家旁若无人，肆无忌惮继续胡作非为，阿榊也被卷入了纠纷并遭人杀害。阿榊的女儿雪代所开的小饭店，也遭到了石岗一家的袭击。离开两年归来的阿驹，为了帮助雪代，开始在du场工作。不久，阿驹见到了以前照顾过阿驹的花井勇太郎，勇太郎也一起过来帮忙。当听到雪代被石岗一行人强行带走，并遭到暴打虐待时，阿驹终于忍不住了，单刀赴会，找石岗算帐。但是，两拳难敌众人打，阿驹也被人钳制并受尽屈辱。紧要关头，勇次郎前来救人，将石岗一行逐个打到，成功救出了阿驹和雪代，但是却身中子弹，英勇牺牲。几天时候，雪代目送着阿驹消失在街道的尽头。
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剧情简介
昭和初期，在一个du场里，du博师绯樱组的阿驹引退庆祝宴会正在进行。期间，阿驹踢爆了du博师弁天组阿房的骗人伎俩。并且激怒了带阿房来的石岗的老大，du场内弥漫着危险的气氛。阿榊的老大出现并平息了将要发生的恶斗。在宴会的最后，阿驹和建三结婚组建新新家庭。但是石岗对他怀恨在心，阿驹遭到了石岗手下的袭击，建三被杀害了。这样过了两年，石岗一家旁若无人，肆无忌惮继续胡作非为，阿榊也被卷入了纠纷并遭人杀害。阿榊的女儿雪代所开的小饭店，也遭到了石岗一家的袭击。离开两年归来的阿驹，为了帮助雪代，开始在du场工作。不久，阿驹见到了以前照顾过阿驹的花井勇太郎，勇太郎也一起过来帮忙。当听到雪代被石岗一行人强行带走，并遭到暴打虐待时，阿驹终于忍不住了，单刀赴会，找石岗算帐。但是，两拳难敌众人打，阿驹也被人钳制并受尽屈辱。紧要关头，勇次郎前来救人，将石岗一行逐个打到，成功救出了阿驹和雪代，但是却身中子弹，英勇牺牲。几天时候，雪代目送着阿驹消失在街道的尽头。
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阿诺·施瓦辛格,杰米·李·柯蒂斯,汤姆·阿诺德,比尔·帕克斯顿,蒂亚·卡雷尔,阿特·马里克,艾丽莎·杜什库,格兰特·赫斯洛夫,查尔顿·赫斯顿,马绍尔·曼尼什,詹姆斯·艾伦,迪特尔·劳特尔,简·莫里斯,卡齐·查普尔,克丽丝蒂娜·怀勒,奥弗·萨姆拉动物僵尸
Ione Butler,安德鲁·阿斯珀,La La Nestor,Kim Nielsen,Marcus Anderson,Brianna Joy Chomer,Ivan Djurovic,亚伦·格罗本,Kaiwi Lyman,William McMichael,Reuben Uy,Isaac Anderson,Tammy Klein,Cedric Jonathan,Joe Conti龙兄鼠弟
阿诺·施瓦辛格,丹尼·德维托,凯利·普雷斯顿,科洛·韦伯,邦妮·芭利特,特雷·威尔逊,马绍尔·贝尔,大卫·卡罗素,休·欧布莱恩,内赫米亚·佩尔索夫,莫里·柴金,托尼·杰13个日夜
罗什迪·泽姆,琳娜·库德里,西瑟·巴比特·科努德森,克里斯托弗·蒙特内兹,伊安·蒂阿尔,法蒂玛·埃多姆,肖艾布·赛义德,赛义德·哈希米,本杰明·希克戈尔,西纳·帕瓦内赫,路易吉·克勒纳,尼可拉斯·布里代,雅典娜·史催特,埃纳尔·哈拉尔松,埃文特·斯特朗,汗·布尔汗,奥马尔·达纳亚,让·克洛德·穆阿卡怪形前传
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至尊马蒂
为了实现一个无人相信的伟大梦想，马蒂去了一趟地狱。 年轻迷人的马蒂，渴望名声、荣耀，以及遥不可及的“世界乒乓球冠军”头衔。为了梦想，他什么都能做到。穿越纽约、巴黎、伦敦、开罗与东京，他在无数的挫折与考验中前行，遇见了挚友、恋人与伙伴，也一次次在胜败之间重生。最终，他开创了自己的伟大道路，也领悟了荣光的真正意义。
仪式2024
大学二年级学生玛丽亚有机会与已故的父亲团聚，于是她加入了路易斯领导的超自然学术小组。然而，他们的科学冒险却发现了一个古老的仪式，而这个团体注定要参与其中。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.