在线看
同款热播
柔情挚我
薇姬·克里普斯,莫妮亚·乔柯里,维果·费雷拉-雷迪尔,安托万·赖纳茨,费奥多尔·阿特金,朴智敏,Manuel Vallade,奥拉利亚·佩蒂特,萨利夫·西塞,朱利安·德·圣·让,玛洛·赫比齐,安娜·西加勒维奇,Tallulah Cassavetti,安东尼·米切尔,乌姆尼亚·哈纳德她离开丈夫与儿子，也离开稳定的律师工作，在泳池、露天咖啡厅与私人公寓自在游走。以写作寄托生活，对儿子的爱未减半分，与丈夫也亲如挚友，直到那日，她向丈夫吐露与女性的亲密关系，完美生活旋即化为一场幻梦。在失去监护权后，她不得不在机构间穿梭，为了见儿子一面奋力一搏，却不知这样的困境，何时能走到尽头？
私奔B计划
黛安·克鲁格,丹尼·伯恩,爱丽丝·波尔,罗贝尔·普拉尼奥尔,乔纳森·科恩,伯纳黛特·勒·萨切,伊什尼·齐科特,玛龙·莱瓦纳,劳尔·卡拉米,达米安·勃纳尔,奥利维耶·克拉弗里,让-伊夫·希洛,穆里尔·苏威伊莎贝尔（黛安·克鲁格 Diane Kruger 饰）和男友之间维系了一段长达十年的恋情，如今，依旧浓情蜜意的两人决定结婚。可是，在伊莎贝尔的家族里，所有女性都遭受着一个“诅咒”的困扰，那就是她们的第一次婚姻注定会以失败收场，而第二段婚姻才是真正的幸福所在。 面对不容乐观的局面，伊莎贝尔想出了一个妙招，她决定远赴异国，找一个老实的倒霉蛋，闪电结婚后闪电离婚，如此方能和男友幸福的踏入婚姻的殿堂。计划不如变化，一个重大意外的发生让伊莎贝尔的计划几乎泡汤，幸运的是，一个名叫约翰（丹尼·伯恩 Dany Boon 饰）的男人及时的出现在了她的面前，成为了她的“救命稻草”。
燃烧身体的记忆
Sol Carballo,Paulina Bernini,Juliana Filloy,Liliana Biamonte,Juan Luis Araya,Gabriel Araya,Leonardo Perucci,Cecilia GarcíaRepression and taboos have shaped the image of womanhood for Ana (68), Patricia (69) and Mayela (71). Their stories poetically combine to form a kaleidoscope of memories, secrets and longings that are incarnated by another woman’s body.
爱情四边形
伊莱尼·帕斯托雷利,马蒂尔德·吉奥尼,朱塞佩·马吉奥,马提奥·马塔瑞,玛塔·加丝蒂妮,埃尔马诺·桑丘,Flavio Furno,Nicola La Gioia,Armando Quaranta,Marta Malvestiti,Tommaso Basili,Sara Baccarini,Cristiano Piacenti,Soraia Tavares,Luís Filipe Eusébio,Mauro Hermínio这部爱情喜剧片采用平行叙事的手法，讲述了四个单身朋友以不同的组合成为情侣的故事，对“灵魂伴侣”度概念提出了挑战
月影杀痕
波伊德·霍布鲁克,克利欧佩特拉·科尔曼,博基姆·伍德拜因,迈克尔·C·豪尔,鲁迪·达马林加姆,Al Maini,Quincy Kirkwood,莎拉·杜格代尔,瑞秋·凯勒,Ryan Allen,托尼·纳波,Philippa Domville,托尼·克雷格,加布里埃尔·格雷厄姆,Julia Knope,默里·弗罗,大卫·麦金尼斯,德尔菲娜·鲁塞尔,胡安·卡洛斯·韦利斯,泰德·麦克马洪,爱德华·伦德尔,妮卡·埃利奥特1988 年，心怀侦探梦想的费城警官托马斯·洛克哈特（波伊德·霍布鲁克饰演）开始追踪一名连环杀手，此人每隔 9 年就神秘地出现一次。但是当杀手的罪行开始违背所有的科学解释时，洛克对真相的痴迷可能会毁掉他的事业、家庭，甚至是他的心智。《月影杀痕》是一部混合题材的心理惊悚片，探讨了时间的力量，以及时间的流逝如何使我们相聚又分开。该片由吉姆·米可执导，其他主演包括迈克尔·C·豪尔和克利欧佩特拉·科尔曼。
嗨，妈妈！
罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment