爱实录
《爱实录》线上看,由SO,Joon-moon导演,宋尚东,兆惠勋等演员领衔主演,影片主要讲述了同性恋夫妇在磁带上记录自己对他们的五周年。他们再次确认他们对彼此的爱。然而，这一天的推移，有一种奇怪的感觉这一天将是他们爱情的结束。,爱实录"
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蓝调天后
维奥拉·戴维斯,查德维克·博斯曼,科尔曼·多明戈,格林·特鲁曼,迈克尔·波茨,杰里米·萨默斯,约翰尼·科瓦内,泰勒·佩奇,杜山·布朗,约书亚·哈尔托,奎因·范安特卫普,克洛伊·戴维斯,梅特·纳塔利奥,约翰娜·埃尔米纳·莫伊兹,Onyxx Noel,詹姆斯·西耶斯基,威廉·卡尼亚20世纪20 年代，在芝加哥的一场午后录音中，乐队成员们正在等待开拓性的表演者、传奇的“蓝调之母”玛·雷尼（奥斯卡金像奖得主维奥拉·戴维斯饰），其间气氛变得愈发紧张。录音进行到后期时，无畏又脾气火爆的玛和其白人经纪人及制作人就她的音乐控制权展开了一场意志的较量。雄心勃勃的小号手列维（查德维克·博斯曼饰）非常欣赏玛的女朋友，并决心在音乐行业中占有一席之地，当乐队在工作室幽闭的排演室中等待时，他促使乐手们爆出揭露真相的故事，这将永远改变他们的生活。《蓝调天后》根据两次普利策奖得主奥古斯特·威尔逊的戏剧改编而成，歌颂了蓝调的变革力量以及那些拒绝让社会偏见左右自己价值的艺术家。该电影由乔治·乌尔夫执导，鲁本·桑地亚哥-哈德森进行剧本改编，凭借《藩篱》荣获奥斯卡奖提名的丹泽尔·华盛顿和托德·布莱克担任制片人。科尔曼·多明戈、格林·特鲁曼、迈克尔·波茨、泰勒·佩姬、杜山·布朗担任联合主演，艾美奖得主布兰福德·马萨利斯进行配乐。
校正单元
Sonny Middleton,Elleese Bradshaw,Kirsty Smedley,齐亚德·阿巴扎,贝拉·拉姆齐,乔纳森·菲利普斯,艾莉森·马丁·琼斯 Alison Martin JonesA group of violent and misguided young offenders are experimented on using brutal AI technology at a sinister institute.
暴风雨之星
Vladimir Yemelyanov,Georgi Zhzhyonov,Gennadi VernovUpon arrival to Venus, cosmonauts find furious volcanoes and sundry prehistoric beasts in Klushantev's film, based on a novel by the Soviet sci-fi writer Aleksandr Kazantsev. Footage has been recycled in three Corman productions: Voyage to the Prehistoric Planet, Queen of Blood, and Voyage to the Planet of Prehistoric Women (the directorial debut of Peter Bogdanovich). 83min
无敌当家2
查尔斯·格罗丁,邦尼·亨特,尼科洛·汤姆故事紧接着上一集发展，小狗贝多芬和露西终于走到了一起，过上了幸福的生活，露西还为贝多芬生下了四只可爱的小狗，一家人其乐融融。然而，这四只小狗崽却让孩子们陷入了烦恼之中，如果让爸爸知道家里一下子多了这四个小家伙，那还不非得翻了天不可。 虽然挨了老爸一顿臭骂，但善良的布鲁诺先生（凯文·杜恩 Kevin Dunn 饰）还是收留了贝多芬和露西的孩子们，一家人前往宁静的小村开始了悠闲的度假。然而他们并不知道的是，布鲁诺的前妻瑞吉娜（黛比·玛扎 Debi Mazar 饰）早已经盯上了小狗崽们，她想将它们偷到手，卖掉大赚一笔。得知此事的贝多芬率先行动，带领妻儿躲到了山中，瑞吉娜紧随其后。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
重返侏罗纪
古铭瀚,杨雪,毛凡,张永华,马群雄为了研究抗癌特效药，探险团队前往失落的孤岛寻找一种远古植物-火狱蔓莲，却在岛上遭遇了远古生物的袭击并发现了侏罗纪遗址，在经历万难，获得花蕊之后，众人再次遭到了迅猛龙追击，最终团队四散，只有三人在危机之中逃了出来，乘船离开了孤岛。