编织的女孩

评分:2.0 播放:68万 更新:2026-05-01

她(伊莎贝尔·于佩尔饰)是个安静沉默的女子,有点自卑,有点害羞,内心的世界仿佛自成一体,只向寥寥知心人透露。与好友一同度假的旅程,改变了她的一生。她在海滩胜地与他遇上。他(萨宾·阿泽玛饰)是个大学在读博士,被她恬静的气质征服,二人相爱,像无数恋人一样,有美好的开始和甜蜜的阶段。然而,当她在他面前失去了新鲜感,当她的安静变成感情进一步发展的牵绊,他提出分手,如同很多人那样,男孩并没有意识到自己的残忍。 直到很久之后,他重遇她,是在一个精神病院里。他才明白自己把她伤得有多深。即使他给她安慰,与她散步,她都默默接受,然后又回到自己的世界中去了。

影片推荐

同类精选

影视排行

恐惧之灵

Christopher Lee Page,Kevin Bohleber,Jordinn Ballenger

一名男子在郊区一间空荡荡的房子里醒来,没有记忆,手臂上沾着血迹。当他疯狂地洗掉血迹时,他发现那不是他的。他在房子周围发现了一些便利贴,上面写着:“不要呆在这个房间里。”“别出去。”“别下楼。”他感到困惑,试图追踪这些神秘的信息,最终发现了两件事。他与母亲和女儿的记忆有某种联系,还有住在这所郊区房子里的恶魔。当他越来越接近解开他为什么在那里的谜团时,恶魔变得越来越强大,考验着他的生存意志。

异羽之鸟

贾亚士里,Mahadev Hadapad,Rekha Kudligi

马诺哈拉·K在13岁时就凭借在影片《铁路少年》中的出色表演荣获印度国家电影奖最佳儿童演员奖。如今,二十出头的马诺哈拉初执导筒,将女作家索尼娅·S的获奖自传小说搬上银幕,讲述了一个白化病女孩的成长之路。片中,来自贫困家庭的索尼娅因为白化病在学校受到歧视和敌意,父亲置若罔闻、母亲有心但无力,她只能依靠自己。导演并没有向索尼娅投去同情目光,而是带着一定距离感去呈现她的处境,成功塑造了一个勇敢、乐天的女孩如何接纳自己并让白化病这个“缺点”成为特点。

黎娜需要爱

艾米利亚·舒勒,雅尼克·许曼,Kyra Sophia Kahre

  黎娜(艾米丽亚·舒勒 Emilia Schüle 饰)的故事非常悲伤和充满挫折。她从小生活在单亲家庭中,母亲只顾着自己的情感生活,忽视了对黎娜的关爱和支持。因此,她在学校里无法与同学们建立良好的关系,被视为怪异的存在,感到孤立和无助。然而,黎娜有一个隐藏的天赋:视觉艺术。她通过社交网络平台结识了同班同学提姆(雅尼克·许曼 Jannik Schümann 饰),两人因为对艺术的共同热爱逐渐互相了解和倾诉心声。他们的心灵相通,找到了互相支持和理解的温暖。  然而,黎娜的唯一好友背叛了她,陷害她成为卖提姆毒品的告密者。从那一刻起,她遭受了持续的诬陷和误会,被社会孤立和排斥。无论她多么努力地解释自己的清白,都无法挽回已经造成的后果。

好像一切都很糟糕

Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can Sevimli

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster