待绽蔷薇

9.7 播放:21万 更新:2026-04-29

Starlet是Jane的最爱兼唯一好友,一只芝娃娃。Jane想做明星,但拍的是小电影,入不敷支,有时靠捐血赚点钱。她从二手暖壸倒出一卷卷钞票,很想据为己有,但更想让良心安乐:先看物主甚么来头。她故意亲近,一个臭脾气老妇,然后两个相隔六十年的女性,发现了感情。两女主角首次登场动人演绎,其中海明威的曾孙女,更为Jane注入深度。可爱又软绵绵的影像,会一把拉你进来,再挑战你的成见,清新、惊喜兼具娱乐性,不啻独立制造的独有本事。SXSW电影节评审团特别奖。   

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Starlet是Jane的最爱兼唯一好友,一只芝娃娃。Jane想做明星,但拍的是小电影,入不敷支,有时靠捐血赚点钱。她从二手暖壸倒出一卷卷钞票,很想据为己有,但更想让良心安乐:先看物主甚么来头。她故意亲近,一个臭脾气老妇,然后两个相隔六十年的女性,发现了感情。两女主角首次登场动人演绎,其中海明威的曾孙女,更为Jane注入深度。可爱又软绵绵的影像,会一把拉你进来,再挑战你的成见,清新、惊喜兼具娱乐性,不啻独立制造的独有本事。SXSW电影节评审团特别奖。   

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等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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