粪礼
전라도暂无内容어느暂无内容마을,暂无内容어려서暂无内容똥통에暂无内容빠져서暂无内容‘똥례’라는暂无内容별명을暂无内容가진暂无内容‘나동례’는暂无内容신혼暂无内容첫날밤暂无内容‘신랑’이暂无内容복상사로暂无内容죽고만다.暂无内容그暂无内容후暂无内容청상과부로暂无内容지내던暂无内容똥례.暂无内容똥례에暂无内容대한暂无内容진실을暂无内容알지도暂无内容못한暂无内容동네暂无内容이발사暂无内容‘마달피’는暂无内容자신의暂无内容육욕에暂无内容사로잡혀暂无内容똥례를暂无内容산으로暂无内容강으로,노래방으로暂无内容데리고暂无内容다니며暂无内容호의를暂无内容배풀자暂无内容자신도暂无内容모르게暂无内容마달피의暂无内容유혹에暂无内容빠지려暂无内容하지만,暂无内容그런暂无内容어느날暂无内容마달피는暂无内容기회를暂无内容포착,暂无内容똥례를暂无内容유인하여暂无内容겁탈하게暂无内容되는데...暂无内容똥례의暂无内容속사정을暂无内容모..
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剧情简介
전라도暂无内容어느暂无内容마을,暂无内容어려서暂无内容똥통에暂无内容빠져서暂无内容‘똥례’라는暂无内容별명을暂无内容가진暂无内容‘나동례’는暂无内容신혼暂无内容첫날밤暂无内容‘신랑’이暂无内容복상사로暂无内容죽고만다.暂无内容그暂无内容후暂无内容청상과부로暂无内容지내던暂无内容똥례.暂无内容똥례에暂无内容대한暂无内容진실을暂无内容알지도暂无内容못한暂无内容동네暂无内容이발사暂无内容‘마달피’는暂无内容자신의暂无内容육욕에暂无内容사로잡혀暂无内容똥례를暂无内容산으로暂无内容강으로,노래방으로暂无内容데리고暂无内容다니며暂无内容호의를暂无内容배풀자暂无内容자신도暂无内容모르게暂无内容마달피의暂无内容유혹에暂无内容빠지려暂无内容하지만,暂无内容그런暂无内容어느날暂无内容마달피는暂无内容기회를暂无内容포착,暂无内容똥례를暂无内容유인하여暂无内容겁탈하게暂无内容되는데...暂无内容똥례의暂无内容속사정을暂无内容모..
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笨贼向前冲
城市最大的参行被盗，价值千万的野山参瞬间下落不明。推销员马有才事事都晚半拍，他为筹集一笔资金，铤而走险变成了一个空有盗窃名头的盗窃人。主犯“独眼”处心积虑想把同伙灭口却不幸丧命。萧文欲在盗窃人参计划中获利，却偶遇苦寻的女友的未婚夫曹丰。案件在警官许峰的层层追查下更加扑朔迷离。人性的深情相付和铤而走险，让所有人的关系和命运错综复杂......
华氏247
晴朗的一天，三年前痛失男友的珍娜（丝柯·泰勒-考普顿 Scout Taylor-Compton 饰）与好友瑞妮（克里斯蒂娜·尤罗尔 Christina Ulloa 饰）、迈克（迈克尔·科彭 Michael Copon 饰）以及新结识的帅气青年伊安（特拉维斯·范·文克 Travis Van Winkle 饰）前往某个乡村，参加当地举行的五月节。湖畔小屋，笑语欢歌，青年男女们纵情欢乐，只有珍娜强颜欢笑，似乎久久无法从三年前的惨剧中走出。随着夜幕降临，四人走入桑拿室，体会无上的蒸汽享受，而危机也正一步步向他们迫近。在此期间，迈克和瑞妮突然爆发争吵，前者夺门而出，大发雷霆，而瑞妮和珍娜、伊安稍后却发现，他们三人却被意外锁在桑拿室中。 温度逐渐升高，而死神的脚步越来越近……
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster