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暗夜呢喃
Stephen Blackehart,Mark Colson,Lance J. HoltBased on the H. P. Lovecraft story of the same name, a folklorist investigates reports of unusual creatures in Vermont only to uncover more than he bargained for
摩斯拉1996
小林恵,山口纱弥加,羽野晶纪,二見一樹,藤沢麻弥,萩原流行,田中ひろ子,荒川強啓,寺尾聪,大宝智子,須藤真里子,高橋ひとみ,梨本谦次郎丰国商事在北海道纹别地区一直进行着森林采伐，作为现场监督人员的后藤裕一无意中发现了隐藏在这片森林之 中的古代遗迹并将埋藏在这片遗迹中的一枚盾牌拿了回去。 其实这片遗迹是妖精族留下来的，在此地还 封印了一个叫做帝斯基多拉的宇宙怪兽。6500万年前从外星而来的它毁灭了一切植物，导致了恐龙灭绝，而那枚盾牌正是用来封印怪兽帝斯基多拉的。 对此毫不知情的裕一将这枚盾牌带回了位于都内自己的 家并把它作为挂饰送给了自己的女儿，然后自己又返回到了采伐现场。黑色妖精贝拉贝拉飞来抢夺这枚盾牌并与对立派莫儿、罗拉姐妹展开了盾牌争夺战。在被莫儿、罗拉姐妹告知盾牌和封印的由来的后藤一家与莫儿、罗拉姐妹一起准备前往纹别。但在纹别的却出现了一块巨大的岩石。在后藤一家的协助之下罗拉姐妹夺回了盾牌，但是怪兽帝斯基多拉却从岩石中复活了。它像恶魔一样恐怖。为了打到怪兽帝斯基多拉，莫儿召唤来了摩斯拉。但是摩斯拉刚刚产完卵，寿命不长的她和怪兽之间陷入了苦战。为了助自己母亲一臂之力早产的 幼虫通过自己的丝和光线支援母亲作战。 摩斯拉不断挑战怪兽，使水库决堤成功的将怪兽逼到了对岸，但是摩斯拉拼尽了全力最终沉入了海底。在这之后，幼虫在屋久島充分吸收了森林的能量新的摩斯拉再次诞生了。于此同时怪兽也已经重新恢复到毁灭地球时的完 全状态，新的摩斯拉与怪兽再次交战，他以压倒性的力量和优势再次将怪兽封印到了地下。此后，摩斯拉让被怪 兽烧掉的已成荒芜的北海道瞬间重获绿色，并和莫儿、罗拉姐妹一起返回到了家乡。
天才游戏
彭昱畅,丁禹兮,李蔓瑄,邓恩熙,侯雯元穷途末路的天才少年刘全龙（彭昱畅 饰），被偏执富家公子陈伦（丁禹兮 饰）选中，被迫踏入一场为他量身打造的“换命游戏”。豪华别墅、名车名表、神秘女友全部备齐，在陈伦的精心打造下，刘全龙瞬间拥有顶配人生。这场表面上各取所需的交易，暗地里却杀机渐起。当众星捧月的快感喂大了野心，贪婪的目光开始盯上原主拥有的一切，那个曾经温顺的“猎物”，开始在暗处亮出獠牙，而掌控一切的“猎人”似乎也早有筹谋。无名的尸体、操控与反噬、扮演与沉沦，这场游戏里，究竟是谁在控制谁？
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
约瑟夫·门格勒的消失
奥古斯特·迪赫,达娜·赫弗斯,布尔格哈特·克劳斯纳,安东·利特维诺夫,海因茨·K·克拉蒂格,马克西米利安·梅耶-布雷泽内德,Carlos Kaspar,阿丽娜·利特维诺娃,Tetiana Lytvynova,David Ruland,Rodrigo Costa Pereyra,Diana Stepanova,Santino Lucci,Ramiro Lucci本片聚焦臭名昭著的纳粹医生约瑟夫·门格勒的逃亡轨迹，从巴拉圭的藏身之所到最终遁入巴西丛林深处，再现这名"死亡天使"流亡南美的隐秘岁月。
不伦之恋
帕特里克·迪瓦尔,阿里尔·贝西,莫里斯·罗内,杰纳维夫·马尼奇,莫里斯里什,玛莎·梅赫勒,罗丝·蒂埃里,Michel Berto,亨利-雅克·于埃,雅克·里斯帕尔,纳塔莉·贝伊,妮可·加西亚,Alan Adair,莫里斯·比罗,皮埃尔·科索,伊维斯·皮尼奥,Joseph Michael Roth,Max Vialle对于音乐家雷米（帕特里克·迪瓦尔 Patrick Dewaere 饰）来说，日子变得越来越不好过，不仅仅是职业上的停滞不前，妻子一成不变的容颜和乏味的婚姻生活也让他几近抓狂。就在这个节骨眼上，妻子车祸身亡的消息让雷米感到震惊却又有一丝解脱，而妻子留下的14岁的继女玛丽安（阿里尔·贝西 Ariel Besse 饰）也成为了一个包袱。玛丽安的生父想夺回玛丽安的抚养权，没想到，小小的玛丽安却更愿意和继父生活在一起。同一屋檐下，这对没有血缘关系的“父女”之间的情感变得朦胧而又暧昧。对于玛丽安的火热表白，雷米从最初的果断拒绝到之后的欲拒还迎，他能否守住伦理道德的最后一条底线呢？