舒淇写真
《舒淇写真》线上看,由导演,舒淇等演员领衔主演,影片主要讲述了,舒淇写真"
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怪胎
埃米尔·赫斯基,布鲁斯·邓恩,朴敏庆,阿曼达·克鲁,莱克西·科尔克,艾娃·特雷克,米歇尔·哈里逊,马蒂·芬诺乔,阿莱克斯·潘诺维奇,RJ·费瑟斯顿豪,科维西·阿梅扬,赖恩·贝尔,里斯·亚历山大,达科塔·道尔比,李·肖顿,艾里亚·伯奇故事发生在一个虚构的科幻世界之中，在这里，拥有着超能力的异能人和普通人生活在一起，曾经，因为超能力被滥用至失控，人类经受了惨痛的教训，因此，在创伤渐渐恢复之后，这些超能力者便沦为了遭受政府严密监控的“二等公民”，处处受人歧视，甚至遭到了军方追捕，被捉到的人将会被送往隔离 区隔离。 克洛伊（莱克西•科尔克Lexy Kolker 饰）是一个单纯善良的孩子，和父亲（埃米尔•赫斯基Emile Hirsch 饰）过着相依为命的生活。平日里，父亲严禁克洛伊踏出家门一步仿佛屋外的世界充满了危险。一天，在冰淇淋的诱惑下，克洛伊偷偷的出门了，并且意外的得知，自己的母亲或许依然活在世上。
派对女孩升天记
维多利亚·嘉丝蒂,亚当·加西亚,米多莉·弗朗西斯,斯宾塞·萨瑟兰,蒂莫西·雷诺夫,Kiroshan Naidoo,Gloria Garcia交际花（维多利亚·嘉丝蒂饰）经历了最严重的派对出丑…在她的生日周死去。让她惊讶的是，她得到了第二次机会来纠正自己在人世间的错误，重新与所爱的人联系，最重要的是，证明自己有资格进入天空的贵宾室。
葬身荒漠
Michael Madsen,Shayla Beesley,John Palladino,Paz de la Huerta没有人出生在拉斯维加斯，这里只是沙漠中一个奇怪的地方，有些人很幸运留在了这里，有人则很不幸，也留在了这里，这里被人们称为“罪恶之城”。Kim Davis（Shayla Beesley 饰）是一个迷失了自我的孤独女孩儿，没有人关注她，除了Ray Easler（Michael Madsen 饰）。Ray Easler是拉斯维加斯城中富有的人，他拥有很酷的房子和车子，有天，他邀请Kim Davis去他的家中做客……
异形怪胎
布鲁克·亚当斯,詹姆斯·凯伦,丽莎·库卓,凯西·格里芬,Jeff Hayenga薇吉妮亚(布鲁克亚当斯)与老公(杰夫海恩嘉)为了想生个孩子，用尽了一切办法，在求教过一位专门治疗不孕症的专家(詹姆斯凯伦)后，最后终于如愿以偿地成功受孕。 原本满心期待当妈妈的薇吉妮亚，却发现自己的身体起了不该发生的诡异变化，当夫妻俩发现这个尚未出生的孩子竟是项疯狂实验的成果时，却为时已晚，薇吉妮亚腹中的「胎儿」已成了两人无法摆脱的恶梦…
啄木鸟伍迪
艾瑞克·鲍扎,蒂莫西·奥门德森,格雷厄姆·维奇尔,乔丹娜·拉吉,泰拉·埃亚拉,阿德里安·格林·麦莫伦,史葛·麦克尼尔,切尔西·米勒,肖恩·泰森,泰·孔西利奥,艾米莉·霍尔姆斯,科维西·阿梅扬,埃里克·李塞德,卡琳·考诺娃环球动画公司专为巴西市场拍摄的啄木鸟伍迪真人版电影。
嗨，妈妈！
罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment