三十六宫七十二院

　　一对爱侣Liz和Malcolm去到一座偏僻的小屋度假，Malcolm却因意外先回城了，留下Liz独自一人，她很快发现这座小屋有着邪恶可怕的过去，如今缠上了自己。

　　继上一集结尾，巫师发现给公爵的药里少放了一味药。这使缇波公爵和随从安德烈被送到了1793年。此时正值法国大革命，而在这个时期，他们又意外碰到了和自己相貌相似的各自的后人，并发生了一系列啼笑皆非的故事。而结尾同样出人意料……

　　Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.

　　阿萨（帕查拉·奇拉锡瓦特 Pachara Chirathivat 饰）是一名21岁的普通青年，他的母亲希望他能够成为一名银行职员，这份职业在老太太的眼中可谓是前途无量。然而，阿萨考了21次都没能够获得这份职业，为了不再做家里的吸血虫，也为了让母亲安心，他搞来了一辆摩托车，成为了一名摩的司机，但面对母亲，他谎称自己已经得到了银行的工作。　　这一天，阿萨和他高中时的女神佳佳（苼楠塔茬·塔纳潘披散 Sananthachat Thanapatpisal 饰）重逢了，这虽然是一件喜事，但对于阿萨来说亦是一桩麻烦，因为佳佳的哥哥好巧不巧就是银行的经理，他已经对阿萨的身份产生了怀疑。