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钟无艳
郑秀文,梅艳芳,张柏芝,黄浩然,林雪,王天林,许绍雄苌山虎
廉晶雅,朴赫权,申隣雅,李俊赫,方柔雪,许真,李律,李在恩为了亚当
蕾雅·德吕盖,安娜玛丽亚·沃特鲁梅,阿莱克斯·德斯卡,朱尔斯·德尔萨特,洛朗特·卡普洛托,克莱尔·博德森,索尼娅·贝卡姆,麦克斯·罗宾,阿德利安·迪安娜,米凯莱·莫安娜·内德塔尼,亚历山大·马托比,杰登·穆约佐罗·马耶巴,肯娜亚·索玛,安妮·拉勒芒特,蒙尼亚·杜依布,吉尤利娅·巴尔福罗德,塞德里克·拉克辛,雅典娜·达纳·珀罗斯,卡利姆·奇哈布,宝琳·格雷高利摸金祖师
秦楚明,邓诗韵,李璐兵,张冬与王生活的男人
柳海真,朴志训,刘智泰,田美都,李浚赫,朴智焕,金旻赎命
Leslie-Anne Huff,Roy Werner,Kimberly Estrada,陈奕迅,Lee Perkins同类推荐
假如比尔街可以作证
琪琪·莱恩,史蒂芬·詹姆士,雷吉娜·金,科尔曼·多明戈,泰柔娜·派丽丝,迈克尔·比奇,安洁纽·艾莉丝-泰勒,埃博妮·奥西迪安,多米妮克·索恩,迭戈·卢纳,芬·维特洛克,艾德·斯克林,艾米莉·里奥斯,佩德罗·帕斯卡,布莱恩·泰里·亨利,玛西娅·让·库尔茨,戴夫·弗兰科,马科·查卡,费斯·洛根,桃乐丝·麦卡锡《月光男孩》导演巴里·杰金斯日前敲定新片，他将把知名作家詹姆斯·鲍德温的小说《假若比尔街能够讲话》(If Beale Street Could Talk)搬上大银幕，故事设定于上世纪70年代的纽约哈林区，主角是一对刚订婚的年轻情侣芬尼(Fonny)和蒂什(Tish)。芬尼被诬告强奸，而身怀六甲的蒂什将四处奔走寻找证据证明丈夫的清白。梅根·埃里森创立的安纳普尔纳将投资本片，也将和《月光男孩》制片公司Plan B、杰金斯本人的Pastel工作室一同制作本片，10月开拍。
运钞大劫案
吴樾,包贝尔,伍允龙,元彪,安志杰影片讲述了一场震惊全国的特大运钞车抢劫案发生后，嫌疑人小宝在无现场犯罪证明情况下金蝉脱壳，然而犯罪的种子已然在心中生根发芽，伴随着时间野蛮生长，终将在警方的明察秋毫中爆裂迸发……
浩劫后
杰森·罗巴兹,乔贝兹·威廉姆斯,斯蒂夫·古根伯格,约翰·卡伦核子战争浩劫一直是人类社会挥之不去的阴影，万一在哪一天真的爆发了核战，那将会是什么景象呢？这部尼古拉斯．迈耶导演的电视电影就是根据这种推测拍成的作品，用写实手法刻划美国堪萨斯州劳伦斯市发生核弹爆炸后的各种景况，从而探讨外在世界的变化和人性的内在演变，主题具省思意识，在1983年美国首播时曾造成极大轰动。几位主要演员：贾森．罗巴兹、乔拜兹．威廉斯、史蒂夫．加顿伯格、约翰．李斯可、埃米．马迪根等均有紧扣人心的精彩演出。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
单独之恋
凯文·詹姆斯,乔纳森·鲁米,金·寇兹,艾莉森·汉尼根,朱莉·安·埃默里,妮可·吉玛多,茱莉·塞尔达,朱莉娅·梅西娜Matt's fiance leaves him at the altar. Heartbroken, he goes on their planned Italian honeymoon alone. There he rediscovers his zest for life, food, and meets Gia who helps him find love again.