影片推荐
僵尸参将2
张峻鸣,恩璟,钟雷,常元佳,廖茉汐超级火山
Ashley Ahlquist,格兰特·鲍尔,Aaron Christensen,泰勒·克里斯托弗,Kyle Connors,Jessica DeBonville虫2025
平野生成,佐藤里菜,木口健太,北原帆夏,山田绢绪,细川佳央,桥野纯平,中山求一郎幻视
南奎丽,李天熙,李奎翰,东铉培,金宰范,郑恩星,薛智允,崔大成,金光炫,吴雅琳,赵汉善,郑敬淏防弹武僧
周润发,西恩·威廉·斯科特,杰米·金,卡瑞尔·罗登,维多莉亚·斯莫费特,岩松信,袁之正,克里斯·柯林斯,肖恩·贝尔,罗布·阿切尔,袁罗素,保罗·福托,Suresh John,查得卡米列里,约翰·麦克唐纳,马特伯尔曼,Henry Korhonen,Lloyd Adams,Tommy Chang,Alan Tang,林益盛,Michael Cameron,麦克·多普德,Patrick Hagarty,Joyce Kirkconnell,迈克尔·塞尔切基7天之前
同类精选
卫兵的呐喊
米娅·麦肯纳·布鲁斯,马特·狄龙,伊萨赫·德·班克尔修女2
泰莎·法米加,乔纳斯·布洛凯,斯托姆·瑞德,安娜·帕波维尔,邦妮·阿伦斯,凯特琳·罗斯·道尼,苏珊娜·伯蒂什,莱昂廷·翁西厄,阿努克·达尔文·霍梅伍德,彼得·哈德森,塔玛尔·巴鲁克,娜塔莉·萨福兰,马克西姆·伊莱亚斯-梅内特,帕斯卡·欧贝,亚历山德拉·詹蒂尔,弗洛伦斯·梅斯泰,玛歌·波莱尔,维维安娜·莫因,雷纳塔·帕尔米涅洛,富尔维娅·帕特里齐亚·奥利维埃里守骨异兽
约翰·瑞斯-戴维斯,萨拉·亚历山德拉·马克斯,Louis James,蒂芙妮·汉纳姆·丹尼尔斯,索菲亚·埃莱尼,Danny Rahim,泰勒·温奇科姆,Sarah T. Cohen,Lee Baker,Marco Antonio Clifton,安吉拉·迪克森,Wayne Gordon,索菲·兰金伪装大师1：维多女人
陈启杰,高雨儿,张炜迅,夏星,张惠程,杨静,闫锐八棺索财
喻恩泰,曹鹤阳,苏濛濛假如比尔街可以作证
琪琪·莱恩,史蒂芬·詹姆士,雷吉娜·金,科尔曼·多明戈,泰柔娜·派丽丝,迈克尔·比奇,安洁纽·艾莉丝-泰勒,埃博妮·奥西迪安,多米妮克·索恩,迭戈·卢纳,芬·维特洛克,艾德·斯克林,艾米莉·里奥斯,佩德罗·帕斯卡,布莱恩·泰里·亨利,玛西娅·让·库尔茨,戴夫·弗兰科,马科·查卡,费斯·洛根,桃乐丝·麦卡锡影视排行
迷妄国度4
Trupti Agarwal,Gaurav Arora,Ashwath Bhatt秘密是相爱的人之间最大的敌人，就像一颗定时炸弹，伺机等待毁掉美好的一切。瑞罕听从沙伊娜的建议，为了更好的工作和生活离开印度再次来到罗马尼亚，沙伊娜兴高采烈的规划着二人未来的生活，却得不到瑞罕的赞同与支持，甚至爆发了更激烈的争吵。沙伊娜隐约感觉瑞罕有心事却不肯说，而更可怕的是沙伊娜渐渐的开始看见一些别人看不到的东西，甚至是莫名其妙的出现在距家几十公里外的电话亭却不自知。对于沙伊娜的恐惧，瑞罕却不以为意。愈演愈烈的诡异行为究竟是沙伊娜的恶作剧，还是存在着可怕的操控者？适时出现的阿迪蒂亚这位前男友能否代替瑞罕拯救沙伊娜？相爱的两个人又将面对怎样的结局... ...
临时家族
张双利,盛朗熙,李洛伊一个陷入瓶颈期的女演员，一个北京胡同孤僻老炮。一个姥姥带大的熊孩子，一个失败中年男人。这分别来自北漂，留守，离异，孤寡的四个人因为一场骗局被迫组成临时的完整家庭。自此上演一段鸡飞狗跳、笑泪交织的人间悲喜剧。他们在理想与现实中困顿，在希望与孤寂里挣扎。在这临时的亲情里回望各自真正的血缘。而在欢声笑语的身后，又有多少不为人知的伤心往事..
血腥老虎：冲突开始
鲁格曼·哈菲兹,本·阿米尔,阿马尔·阿尔菲安警官哈金卧底潜入红虎帮，并成功赢得该帮派的信任。他不仅成功揭露了他们的罪行，还必须直面这些残暴的罪犯。然而，他遭遇背叛，陷入道德困境，在不为人知的情况下为维护正义而战，他的忠诚度也受到了考验。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.