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太太们不知道的她的夜技！真正会味道的她来了！清廉清白的书生，高贵的贵族大人，天生的汉良，只有力量的放肆……世上所有男人用一个眼神，一个手势就能发号施令的最好的名气，爱郎！女人家的闺蜜们以她独有的不为人知、不为人知的隐秘夜晚技术，将朝鲜男丁们全部融化，名声大噪。但是一点都不知道是晚上的事情的超绝顶铁壁男被调到了爱郎的村子！天真…
人气佳作
鬼府神工
劳伦·拉维拉,Claudio Nathan Brezzi,雅辛·法德尔,Peppe Fonzo,Gianluigi Galvani,Melanie Gaydos,克劳迪亚·杰里尼,Jonathan Dylan King,Elisabetta Klein,乔瓦尼·隆巴多·雷迪斯,Stefano Martinelli,丹妮丝·麦克尼,Maria Grazia Ortesani,Courage Osabohine,Tony Pandolfo,洛伦佐·伦兹,Nicolo Viridi,Linda Zampagli菲律宾女孩
乔里贝尔·阿戈托,Joanna Marie Banua,安吉莉·芭雅妮,沙梅恩·布埃诺卡米诺,安娜·布金德,卡门·卡斯特利亚诺斯,Bullet Dumas,Teroy Guzman,Nour Hooshmand,阿戈特·伊西德罗,Pipay Kipay,Thea Marabut,米卡·戈麦斯,鲁比·鲁伊斯,伊莎贝尔·西卡特,卡洛斯·西古伊纳-瑞纳,Jewel Sotelo,Sunshine Teodoro,Elle Velasco侵略机器
约书亚·迪亚兹,阿兰·里奇森,丹尼斯·奎德,杰·科特尼,埃塞·莫拉雷斯,杰克·派顿,丹尼尔·韦伯,凯南·朗斯代尔,大卫·汤姆林森,史蒂芬·詹姆士,乔伊·维埃拉,杰克·莱恩,克里斯托弗·卡比,詹姆斯·博福特,Matt Testro,Victory Ndukwe,Blake Richardson,Jacob Hohua,Heather Burridge,Will Curtin我是桐岛
每熊克哉,北香那,奥野瑛太,高桥惠子,原田喧太,影山祐子,山中聪,郑龙进,岭豪一,和田庵,伊藤佳範,宇乃徹,长村航希,海空,安藤瞳,咲耶,赵珉和,松本勝,秋庭賢二,佐藤寿保,ダーティ工藤,白川和子,下元史朗,甲本雅裕导演精选
三滴血2025
三，是家的最小单位。血脉，是维系家庭的纽带。然而，三个素不相识的人却被命运交织在一起！ 善恶难辨的男人“驯鹿”，身怀六甲的女人李棋，哑巴男孩冰棍，三人假扮成一家人，游走于猎物与猎人之间，暗流已至，生死一瞬，一个关于家族式人口贩卖的黑暗链条逐渐浮出水面！
宇宙怪兽加美拉
地球征服をたくらむ宇宙海賊・ザノンが次々と送り込む怪獣を、平和星M38から派遣された3人の宇宙人が、ガメラを呼んで撃退する。“ガメラ“シリーズ全7作から、ガメラと怪獣たちの戦闘シーンをピック・アップしたアンソロジー。
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.