聚会的目的：开始.2

始动

　　电影改编自同名人气漫画，讲述的是离家出走的青少年的成长故事。　　离家出走的叛逆儿泽日（朴正民饰）与盲目踏入社会并满腔热血的尚弼（丁海寅饰），在遇见长风饭馆的厨师长猛男哥（马东锡饰）后，让自己明白了什么是世间愉快与开心的故事。

二手时光

　　2004年7月一个暑气未消的日子，一个九十年代的录像厅面临拆迁，几个发小——阿盛、军爷、七筒、老三约定在此看最后一次电影，那些曾经作着古惑仔梦科学家梦大款梦军人梦的少年都来了，唯独他们的同学——故事的女主人公夏天天还在路上。在等待夏天天的过程中，男孩阿盛说起了自己和夏天 天相识的故事，故事从阿盛的旁白中，回到十年前。童年、红领巾、军训、广播台、查寝、打牌、考试、作弊、跑操、补课、眼操、瞌睡、高考、学霸、泡妞、自由主义、二逼青年……真实亲切的高中生活，笑中带泪的集体回忆，那些有伤的战斗岁月，那些无畏的光明未来。

微笑的山谷

　　带着过往伤痛，塞吉欧只身一人前往「微笑之村」担任代理教师。这座对负能量零容忍的小镇，明明曾遭逢巨变，居民们却笑口常开。原来，让这座微笑之村风光明媚的秘方，是一位能吸取人间苦痛的男孩，他的身体如祭坛，透过拥抱承担全村的悲伤。他为人搭建快乐天堂，自己却陷入无尽黑暗。塞吉欧与男孩的相遇，搅乱了镇上的平衡；那座炼狱之门，也终将反向人间敞开。

缘来缘去

逗阵儿

　　故事发生在七十年代的台湾，金穗月（江淑娜 饰）和丈夫刘航生（梁修身 饰）从大陆撤退至此，后者曾经是陆军上校，如今不过一介平凡的出租车司机，同样需要为了生活打拼。初来乍到，夫妻两人的日子过得十分辛劳，再加上膝下四个孩子，压力可想而知，然而，一家人最重要的就是在一起，他们相互扶持，苦中有乐。　　刘国梁（林晖闵 饰）是即将参加联考的备考生，身上背负着一家人殷切的期望。刘亮亮（汪筠书 饰）则是家里最受宠的小女儿，个性活泼开朗喜爱自由的她常常在外面惹是生非，没少挨金穗月的揍。一天，刘亮亮为了救同学只身闯入火场，最终受伤陷入了昏迷。

活树林

　　Malvís (Alfredo Landa) is sick of working like crazy for nothing. He'd rather become a bandit, that's much better, he's gonna be the fearful Fendetestas! He'll spread panic in the woods of his region. But there's a little problem: there aren't much people living in his region, everyone knows everyone and everyone is so poor, so is gonna be difficult that someone takes Malvís/Fendetestas too seriously.　　This is a magic history, so funny, and full of situations that will make you laugh. It's also full of characters that belong to the Spanish idiosyncrasy: the strict priest, the Guardia Civil, the old devout women, the village idiot... there's even a lost soul wandering around the woods.　　The great Alfredo Landa heads a cast that gathered together the best two generations of Spanish scene: from Fernando Rey to Encarna Paso, from Manuel Alexandre to María Isbert... A cast like that would be just unthinkable nowadays. "El Bosque Animado" was the first movie of José Luis Cuerda's trilogy of rural comedies (after this one he made the surreal "Amanece Que No Es Poco", and "Así En El Cielo Como En La Tierra". Those are movies so personal that stress the Spanish culture. The young directors should take note of films like "El Bosque Animado", instead of trying to be the new "enfant terrible" and imitating US worst cinema.