笼中猎物

非凡

马克·韦伯,露西·格里菲思,大卫·克莱顿·罗杰斯,雷恩·威尔森

　　天才科学家大卫创造了世界首具拥有高度人工智慧的机械人亚当，并邀请当红的科技杂志记者荞依，进入实验室进行一週的近距离专访。在採访的过程中，荞依深受聪明又充满抱负的大卫吸引，萌生情愫的两人开始越走越近，而将一切看在眼裡的亚当，竟产生如人类般的忌妒情绪，行为更变得有些怪异与偏激...

后会有期

格兰特·罗森梅耶,司徒颂曦,拉维·帕特尔,加布蕾·丝迪贝,詹妮安·加罗法洛,李升熙,Jennifer Jelsema,Daisye Tutor,Delaney Feener,Kari Perdue,迈克尔·布鲁里布,Asta Philpot,克里斯蒂安·利特克

　　本片翻拍于备受赞誉的2011年比利时电影《后会有期 Hasta la Vista! 2011》 。三位主人公是一名盲人，一名半身瘫痪着和一名全身瘫患者，但是他们相信，像他们这样的人也有权利追求爱和性，所以三人本着“破处”的目的向着蒙特利尔一家为残疾人提供服务的地方出发了。

阿嬷的审判

母亲去世后，郑熙和李熙选定了安葬之地，相信这能带来和平与繁荣。他们最小的弟弟却因贫困而被忽视，显得无足轻重。 　　多年后，他们的命运却一落千丈，而弟弟却蒸蒸日上。当坟墓被人翻动时，令人不安的真相浮出水面，揭露了隐藏的背叛和深深的家庭裂痕。

嘉陵江上

虞鹏飞,高韵,欧益宏,魏学兵

网约车司机张志勇在城市漫游，车上搭载了不同的乘客，妻子远来寻找失联多年的丈夫，保安寻找沉于水下的故乡，寻找丈夫的妻子，高中生寻找从未谋面的父亲。张志勇也有自己不可言说的往事，寻找之旅亦是救赎之旅。

真心半解

莉娅·刘易斯,丹尼尔·迪默,艾丽克西斯·勒梅尔,沃尔夫冈·诺沃格拉茨,邹兆龙,贝琦·安·贝克,恩里克·穆西安诺,麦金太尔·狄克逊,凯瑟琳·科廷,亚历克·廷彻,邦妮·弗兰纳里,泰勒·克罗泽,斯潘塞·沃瓦克,帕特里克·约翰逊,加比·萨默斯,亚历山卓·巴格特,马克·德巴格,乔纳·福尔肯

　　个性体贴的运动健将保罗爱上了学校校花，但他实在不善言辞，于是决定僱用内向的高材生艾莉帮他展开追求，毫不相干的两人也因此成为朋友。然而，艾莉发现自己竟然也对校花产生好感，她和保罗的友谊因此变得複杂。本片为编剧兼导演伍思薇的最新力作。

星光继承者/僵尸高校生：繁星汇聚演唱会

玛利亚·贝克,玛拉基·巴顿,凯莉·坎特罗尔,乔舒亚·科利,梅格·唐纳利

《殭屍高校生》與《星光繼承者》的世界在此交會，帶來一場盛況空前的演唱會！兩部作品的卡司將首度合體登台演出。由瑪莉亞·貝克、馬拉奇·巴頓、凱莉·坎特拉爾、約書亞·科利、梅科南·奈夫、達拉·蕾妮、芙蕾雅·史凱領銜，更有瑞塔·歐拉、麥洛·曼海姆、梅格·唐納利、利亞曼尼·塞古拉等特別嘉賓驚喜現身。

嗨，妈妈！

罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特

　　In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.　　imdb comment