即刻观影
剧情赏析
编辑推荐
小意大利
艾玛·罗伯茨,海登·克里斯滕森,艾莉莎·米兰诺,丹尼·爱罗,安德列·马丁,简·西摩,盖里·巴萨拉巴,亚当·费拉拉,琳达·卡辛,克里斯蒂娜·罗塞托Voltage Pictures拿下艾玛·罗伯茨、海登·克里斯滕森主演的浪漫爱情片[小意大利](Little Italy，暂译)的国际销售权。该片由唐纳德·佩特瑞([倒霉爱神])执导，故事类似现代版罗密欧与朱丽叶，讲述一名见习厨师同一位餐厅老板坠入爱河。他们父亲是商业死对头，母亲却是秘密的闺中好友。
骗徒与致命婚宴
巴斯蒂安·帕斯特科瓦 ,Tamara Romera Ginés,Anton Dreger,芭芭拉·菲利普,埃尔詹·杜马斯,米拉·帕尔泰克,伯恩哈德·舒茨,妮可尔博伊特勒,Taneshia Abt,利娜多瑞,Knud Riepen,Marta Kizyma,Daniel Rodic,Till Raskopf,Rabea Lüthi,Georg Paluza,Sara Bartknecht,Maxim Bartknecht,马格努斯·克雷佩Con artist Fabian, on the run from his pursuers, ends up at a winter wedding where he plans to steal a valuable statue. But then a murder derails his plans.
逆时追凶
麦迪逊·贝利,迈克尔·山克斯,格里芬·格鲁克,安东尼娅·金特里,莎莫·H·豪威尔,瑞秋·克劳福德,梅根·贝斯特,亚当·哈蒂格,塞缪尔·布劳恩,辛妮·比斯顿,Kataem O'Connor,格温多琳·柯林斯,乔丹·佩特尔,Dutchess Cayetano,Chess Tomlinson,Bj·韦罗,Elena Howard-Scott,泰瑞·威瑟斯庞,科琳·弗兰,Samantha Hutchings2024年，一名少女意外穿越回 2003年，而她的姐姐将在几天后被一名蒙面杀手杀害。她能否在不毁掉未来的情况下改变过去?
弗拉维亚
马丁·弗瑞曼,乔纳森·普雷斯,托比·琼斯,莫莉·贝尔·赖特,安妮特·白兰特,汉娜·纽,杰米·比米什,迈克尔·卡尔金,阿丽埃拉·格拉泽,卡兰·吉尔,Tallulah Conabeare,玛拉马·科利特,皮埃尔·伯格曼,Max Cortezi,Arthur Heath,劳伦斯·拉塞尔,Zach Colton,Davide Scalcon,Liam Carrington,Gus Hudgins1951年，英国乡村边缘，德卢斯家族的庄园已在岁月中斑驳颓败。11岁的弗拉维亚·德卢斯，是家族里最离经叛道的孩子——她痴迷化学，尤其精通毒药，更有着超越年龄的侦探天赋。当一具陌生尸体出现在庄园的庭院中，她的父亲哈维兰上校成了警方的头号嫌疑人。为了洗刷父亲的冤屈，弗拉维亚拿起放大镜与化学试剂，在老宅的藏书室、实验室与庄园的隐秘角落中展开调查。她周旋于警探、古怪的家族成员与小镇居民之间，在层层迷雾中探寻真相，而随着调查深入，她也逐渐揭开了家族隐藏多年的秘密。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.