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麻雀女王追男仔
高海宁,马国明,陈家乐,陈静,邱意浓,许绍雄,郭珮文,李尚正,麦玲玲,林盛斌,戴耀明,程可为,蔡洁,林襄,文佐匡远足惊魂
塔梅尔·哈桑,芭芭拉·尼德尔加科娃,本·洛伊德·霍尔姆斯,Zara Phythian,Daniel Caren一个明星的诞生1976
芭芭拉·史翠珊,克里斯·克里斯托弗森,加里·布塞,奥利弗·克拉克,Marta Heflin,莎莉·柯克兰德,乔安妮林维尔,保罗·马祖斯基,斯蒂芬·布鲁顿,Donnie Fritts,Booker T. Jones,Jerry McGee,比尔·格雷厄姆,丽塔·考里基,托尼·奥兰多,伊索·阿克瑞恩,罗伯特·英格兰德,梅迪·诺曼,Susan Richardson假装热情
郑在泳,朴宝英,吴达洙,卓在勋,柳贤静,柳德焕,陈庆,尹均相我的学姐是青蛇
两张彩票
多里安·波古策,德拉戈什·布库尔,亚历山德鲁-维克多·内姆特亚努,诺拉·库普辛库,安迪·瓦斯卢亚努,尤安娜·弗洛伦蒂娜·迪米特流,米尔卡·巴努,伊莱亚斯·费金,艾丽莎·卡林,伊琳娜·诺阿特斯,亚历山德鲁·帕帕多波尔,谢尔班·帕夫卢同类推荐
莱姆豪斯的杀人魔
奥利维亚·库克,比尔·奈伊,道格拉斯·布斯,埃迪·马森,玛利亚·瓦沃德,萨姆·里德,亚当·布朗,戴维·鲍姆伯,保罗·里特,丹尼尔·梅斯,马克·坦迪,摩根·华金斯,彼得·苏利文,亨利·古德曼,达米安·托马斯改编自彼得·克罗伊德小说《丹·雷诺和莱姆豪斯的杀人魔》。讲述1880年伦敦的莱姆豪斯区发生谋杀案，人们认为这是古老生物石巨人所为，但真相另有隐情。
禁果
莉莉·莱因哈特,罗拉·董,加布里埃尔·尤尼恩,维多利亚·佩德雷蒂,亚历山德拉·希普,大卫·皮纳德,奥斯汀·鲍尔,艾玛·张伯伦,查理·亨利·拉尔森,西德哈特·沙玛,海莉·莎莫,Caroline Vartanian,乔丹·杜阿尔特,Jeff Sinasac,Katherine Cruz在一家名为“自由伊甸园”的商店里。店员“苹果”、“樱桃”和“无花果”私下维持着一个神秘的女巫社团，而新入职店员“南瓜”的出现，开始让这份姐妹情谊遭受质疑。面对新人的挑战，这群各怀鬼胎的女性不得不直面潜藏心底的幽暗，冲突也随之演变成血腥的暴力。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
希望的另一面
韦勒·维坦恩,卡蒂·奥廷宁,汤米·柯贝拉,什万·哈吉,詹恩·海蒂恩,玛丽亚·贾维纳廉明,萨卡里·库斯曼嫩,约恩·唐纳,妮若兹·哈吉,伊尔卡·克伊瓦拉,米尔卡·阿罗斯,蒂莫·托里克卡,苏勒维·佩尔托拉,坦利·梅克拉,努普·科伊武一个叫做哈立德的年轻叙利亚难民几乎失去了所有的家人。近乎偶然之下，他藏在一艘运煤船里流落到赫尔辛基成了一个偷渡客，并在当地寻求政治庇护。维克斯特伦是一个旅行推销员，他在牌桌上赢了一大笔钱之后在赫尔辛基的一条后街买了一家不赚钱的餐馆。在当地政府作出要将哈立德遣返回阿勒颇的判决后，他决定非法留在这个国家。最终，维克斯特伦发现哈立德睡在他餐馆的内院里，并聘请他到自己餐馆里做清洁工和洗碗工。生活会短暂地向我们展示它光明的一面，然而命运很快就会插手其中。
毛骨悚然撞鬼经 15周年特别篇
稻垣吾郎,草彅刚,北乃绮,坂上忍,石原里美,小池彻平,桐谷美玲,菜菜绪,黑木瞳,町田启太,刚力彩芽,岛崎遥香,广濑爱丽丝,藤本泉S铜山的女人：失意的保险公司业务员山边夏美（石原里美 饰）和同僚桑原（小池彻平 饰）在归途中误入被封闭多年的S铜矿山，由此遭遇了一连串恐怖的诡异事件；小智：被情感困扰的女孩里奈（刚力彩芽 饰）按照都市传说给自己的手机打了电话，并连念三遍“小智”，希望解开心中疑惑，谁知此后却被小智缠上；凶手是谁：看似阴沉的派遣职员熊谷（北乃纪伊 饰）自称能够看到别人看不到的真相，她的上司三泽健太（草剪刚 饰）起初并不相信，但接连的事实让他大为震惊；诱惑的森林：小葵（岛崎遥香 饰）和朋友结菜（广濑爱丽丝 饰）去山里游玩，山中一间老旧的厕所却带给她们最恐怖的回忆；把手给我：勤奋的OL泷本理沙（桐谷美玲 饰）不知何时与同学兼同事的好友雅美（菜菜绪 饰）关系变差，压力巨大的她发现每晚都有一只手紧紧抓住她的胳膊；出租车司机的自述：老实的出租车司机中川（坂上忍 饰）在晚上载了一位要去很远地方的女客人，但是这位客人竟是如此沉默；黑暗中的视觉：人过中年的森川千寻（黑木瞳 饰）在一家工厂找到工作，拥有天眼的她看到了许多的鬼魂。