云上的日子 Al di là delle nuvole
1，费拿拉小镇，工程师斯瓦诺（Kim Rossi Stuart 饰）邂逅了女教师卡门（Inés Sastre 饰），他们一见钟情，卡门却拒绝了斯瓦诺的吻。当他们三年后再次相遇时，斯瓦诺则在肉欲面前止步； 2，海滨小城，某导演（John Malkovich 饰）信步游荡时遇到了美丽的女子（Sophie Marceau 苏菲•玛索 饰）。她向导演坦白曾亲手杀害自己的父亲。他们并未因此疏远，反而缱绻缠绵； 3，巴黎，妻子离开不忠的丈夫，寻找租房时遇到了失去妻子的卡罗（Jean Reno 让•雷诺 饰），他们似乎找到了共通的心绪； 4，英俊的男孩爱上了一个姑娘（Irène Jacob 饰），他尾随、表白，却得知她将要把自己献给上帝。 本片荣获1996年意大利电影新闻记者协会银丝带奖最佳编曲、1995年威尼斯电影节费比西奖。
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爱尔兰式告别
米歇尔·费尔利,帕迪·詹金斯,James Martin,谢默斯·奥哈拉杯酒人生
保罗·吉亚玛提,托马斯·哈登·丘奇,维吉妮娅·马德森,吴珊卓,玛丽路易丝·贝克,杰西卡·赫特,米茜·多蒂,迈克·康纳·盖尼,阿莱西娅·雷纳,谢可·图克马尼安,肖恩·杜克,罗伯特·科瓦吕比亚,派崔克·盖勒,斯蒂芬妮·法拉希,乔·马里内利,皮特·丹尼斯,菲尔·里夫斯,莱茜·雷浪浪人生
黄渤,范丞丞,殷桃,常远,李嘉琦,刘雪华,付航,孙艺洲,张本煜,易小星,小爱,邓恩熙,李治良,刘西蒙,郝瀚,杜梦涵,庄园吾辈本如斯
比尔·萨奇,安拜·柴尔德斯,朱莉娅·加纳,凯莉·麦吉利斯,怀亚特·拉塞尔,杰克·戈尔交响诗篇超进化2
泰国派
普洛伊·索娜琳,Machida Sutthikulphanich,Yorch Yongsin Wongpanitnont,Phintusuda Tunphairao,Yongsin Wongpanitnon,Lita Janvarapa,Jetarin Ratanaserikiat同类精选
镖人：风起大漠
吴京,谢霆锋,于适,陈丽君,孙艺洲,此沙,李云霄,梁家辉,张晋,惠英红,张译,李连杰,刘耀文,熊瑾怡,莒谦朗,白那日苏,梁壁荧,文俊辉,董思成,林秋楠,景瓷,张艺泷,李嘉辉,寇占文,代乐乐,释彦能,徐向东,淳于珊珊,孟鹤堂,于荣光,陈少熙,赵箭,袁和平重案·无罪
张天其,步籽颖 Ziying Bu,于荣光,杜玉明,梁焯满,骆言,吴永康,朱梓玥,楼学贤,张嘉飞,张苡宁小镇突袭
雷·利奥塔,多米尼克·珀塞尔,迈克尔·帕尔绝命空间站
Julia Franz Richter,乔治·布莱顿,马克·伊瓦涅“骑”逢对手
那馨,李梦男,任悦鸣,庞统,闫震宁,陈家葆猫吻：当你打开心扉的那一瞬间
吴东旻,류아벨影视排行
罗格河
米歇尔·佩吉,Art Alexakis,克里斯·科伊,迈克尔·库立兹,卢辛达·珍妮★《罗格河》：一位年轻的女性驾车沿着罗格河旅行，可是她的车子却神秘的消失了。失去了代步工具和通信，别无选择，她只得接受了一位陌生人的好意在他的小屋中过夜。可是这个选择却让她后悔终生。在接下来的时间里除了折磨还是折磨，难以描述的疼痛与令人恐怖的苦痛。如果你看过苦痛，你就什么都没看过。这部电影在其他恐怖电影结束之处开始，恐惧与作呕将萦绕观影者始终。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
当你约会的时候
克和茱莉娅因为摄影在网上相识，两人分享彼此的摄影作品，并且尝试在网上交往。在朋友的怂恿下，尼克主动约茱莉娅见面，试图开始真正交往，不料见面后才发现，网上的茱莉娅竟然是自己的前妻，因为事业观不合在几年前离婚了。简单交谈了几句后两人为对方安排了一场约会，但都因为性格原因导致约会无疾而终，实则是因为彼此对对方还都保留着好感。尼克邀请茱莉娅参加朋友家举办的晚会，朋友们都认为他们非常般配，他们也有意重新开始。在这关键时刻，茱莉娅的前男友出现，试图挽回茱莉娅，而尼克的前女友也又一次联系了尼克，他们碍于面子，将复合的事情搁浅在一旁。茱莉娅和尼克各自与前任相处了一段时间后发现还是忘不了对方，在情人节的晚上，他们终于放下心结，重新走到一起。
杀出魔鬼镇
丹尼斯·欧哈拉,艾狄森·蒂姆林,盖瑞·科尔,斯宾塞·崔特·克拉克,乔舒华·莱纳德,维罗尼卡·卡维特,爱德华·赫曼,约翰·威斯利·查特曼,埃德·劳特尔,阿拉贝拉·菲尔德,兰斯·E·尼克尔斯,斯塔莱特·米亚里奥尼,Morganna May,Dodie Brown,Raiden Integra美联社、《生活》杂志等著名媒体都曾报道过1964年的“月光凶杀案”，当时小镇坠入一片恐慌，一到黄昏就全镇戒严，全副武装的警察上街巡逻。直到三个月再无袭击发生，警察才逐渐撤出。1976年，曾有一部根据该案件改编的同名影片上映。两名幸存者描述凶手有六英尺高，头戴面具，只露出眼睛和嘴巴。 2014年版《杀出魔鬼镇》中，连环凶杀再度开始，面具杀手时隔六十多年重现特克萨卡纳，究竟是有人故意模仿，还是有更恐怖的事情暗中酝酿？一个孤独的高中女生，似乎知晓解开这一切的秘密。