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舞男奇遇，为钱甘扮聋哑人。暂无内容孖生怪胎，炒楼无良有报应。暂无内容家商太太，玩仔姣到出晒汁。暂无内容出人意表，紧张咸湿又好笑暂无内容。坚挺雪白，又大又滑，桃源深处，芳草凄迷，碌野够坚，群雌称臣。三条女六个波，睇到你笑呵呵
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杰克·约翰逊,小达蒙·韦恩斯,罗伯·里格尔,妮娜·杜波夫,安迪·加西亚,詹姆斯·达西,科甘-迈克尔·凯,乔纳森·拉舒沃,汤姆·马迪罗沙,娜塔莎·赖格罗,丽贝卡·库恩,约书亚·奥蒙德,布莱恩·欧尔利,杰夫·蔡斯比佛利拜金狗
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亚历山大·斯卡斯加德,丽莉·吉欧,詹姆斯·戴尔,杰弗里·怀特,梅肯·布莱尔,乔纳森·怀特赛尔,詹姆斯·布鲁尔,埃里克·李塞德,朱利安·布莱克·安蒂洛普,安娜贝尔·库帖,巴布·米切尔洋基的骄傲
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他年她日
在一场世纪大地震后，矗立于海中央的“重力墙”将世界一分为二，形成两个不同的时区和重力环境，“优日区”的一天，是“长年区”的一年。长年区长大的薯仔（许光汉 饰）对来自优日区的实习医生安晴（袁澧林 饰）一见钟情，面对时间和地理的巨大阻碍，薯仔和安晴用尽全力双向奔赴，以年思念，以日相见。在失衡的时空里，他们能否坚定地爱到最后，守护这场刻骨铭心的爱恋？
狼嚎2023
這是一部只有背景音樂寫實的粗獷毫不妥協且極具風格的獨立無聲藝術電影，描述在美國式的自由民主制度下所誕生的黑社會陰暗面、地痞流氓、吸食毒品、色情、謀殺、販賣軍火等，改編自古希臘荷馬史詩中的人物故事。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.