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男孩、鼹鼠、狐狸和马
汤姆·霍兰德尔,伊德瑞斯·艾尔巴,加布里埃尔·伯恩,裘德·科沃德·尼科尔查理·麦克西的同名绘本改编的手绘动画，关于善良、友谊、勇气和希望，通过一段辛酸而真挚的旅程，讲述了一个男孩、一只鼹鼠、一只狐狸和一匹马，四个孤独的灵魂在寻找家的过程中结伴而行，并在彼此身上找到了自己存在的意义。
邪恶护士2
苍井空,Ricky Harun,Zidni Adam寂静深夜，Selly（Violenzia Jeanette 饰）、Jack（Ricky Harun 饰）、Tando（Zidni Adam 饰）三名喜好刺激的青年男女驾驶机车飞驰在公路上，突然之间，Selly的机车失控，她摔倒在地，身受重伤，昏迷不醒，Jack、Tando连忙将其送往医院。与此同时，来自日本的女孩幸子（苍井空 饰）正准备和当地的导游外出游玩，谁知却不小心用车门夹上导游的手，语言本就不同的二人也慌慌张张前往医院。不久之后，两组人马在这间有些阴森的医院内会合，隐隐约约中，一个留着长发却看不清面容的女人不时逡巡在幸子等人的周围。 对于这几个有些倒霉的青年来说，恐怖而又爆笑的夜晚正慢慢拉开序幕……
解决专家
黄才伦,邱意浓,林子聪,许诗晨,王瀚邦,王人可,文东俊,岳冬峰,刘奕心,阿蒂娅,刘海涵,解斯童“解决专家”衣然英俊遇到罗师傅上门求助，罗师傅因跌打油遭诬告，其妹双双、盈盈为帮兄私自参加高颜奖金选美。衣然英俊携老孙、罗师傅追至赛场，与罗妹及中国选手徐菲组队，闯丛林、破庙宇机关，最终揭穿比赛的阴谋，助罗师傅渡过难关。
灵魂灯笼
Hoang Kim Ngoc,Phu Thinh,Diem Trang《灵魂灯》的故事发生在封建时代的一个北方村庄。Thuong 独自抚养儿子，希望丈夫服完兵役后能回来。一天，Linh（Thuong 的儿子）无意中捡到一盏神秘的灯。他开始称墙上的影子为父亲。据村里的巫师说，这是一盏灵魂灯，可能召唤了寻求报复的恶灵。从那一刻起，不寻常的鬼魂事件开始困扰 Thuong 和村民。
凶地
平采娜·乐维瑟派布恩,Golf Pichaya Nitipaisalkul,Ivrin Osathanond,Manatsanun Phanlerdwongsakul,尼克.坤纳提帕.平帕拉达布,Pharanyu Rojanawuthitham,巴东·颂桑,坦瓦林·苏卡皮西特,Chaiwat Thongsaeng,查理·瑞纳本剧改编自泰国四段真实新闻事件。【亡命巴士】曾经肇事的公车巴士，在夜晚最后一班车，搭载着往往不是人……【灵魅旅社】入住廉价旅社务必三思，晚上陪你入眠的可能不只一人……【酒店冥花】KTV酒店，万年照不到阳光之处，店内瘴疠之气盘据，长年身在其中工作，早已人鬼难辨……【阴阳禅寺】替人祈福的僧者，竟是杀人凶手？寿未终，尸难寝；惨死冤魂，人间流返。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.