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审死官
周星驰,梅艳芳,吴家丽,吴孟达,秦沛,梁家仁,苑琼丹,黄一飞,朱咪咪我的老婆是明星
周柏豪 ,刘心悠,林德信,蔡洁,蒋志光,李尚正,郭伟亮,叶佩雯,朱薰,李日朗,杜德伟,连诗雅,卢海鹏,林盛斌,邵美琪,车婉婉,庄锶敏,田启文,赵硕之,古天祥,符晓薇,黄文慧,余慕莲,王晓君,李润庭,可宜好警察坏警察2
帕特里克·华德,科鲁姆·费奥瑞,马克·博普里,诺安·坚金斯,安德里亚斯·艾波吉斯,玛丽安娜·马扎,埃里克·克诺德森,莎拉·珍妮·拉布罗丝,露茜·劳莉尔,尼尔·克容,詹姆斯昂·克雷默,凯瑟琳·圣罗兰,约翰·桑福德·穆尔,肖恩·卢,克里斯蒂安·保罗,卡尔·格拉戈萨斯,尼古拉斯·帕奎因寻棺
张赫,石雪婧,丁文博,朱铁和导演精选
碟仙玩偶
碟仙碟仙快出来……俊男靓女在午夜山庄玩碟仙，引来重重诡异事件，死亡、昏厥、失踪接踵而至，黑暗密室惊现神秘诡娃，林中秋千独自在风中飘荡，骇人的笑声不知从何处传来，魅影飘飘，尖叫连连。是二十年前的情仇爆发，还是死去的鬼婴还魂？是相亲相爱的闺蜜反目，还是碟仙冤魂为爱索命？诡异事件与爱恨情仇紧密交织，碟仙引出的婴儿玩偶时隐时现，让所有人心惊胆颤。月黑风高之时，当最后的秘密在山村小诊所被揭开，真相让人不寒而栗，终极恐怖向人心袭来！本片融“碟仙”与“玩偶”两大惊悚元素于一身，碟仙惊魂，玩偶吓人，俊男靓女搭配恐怖山庄，惊吓指数爆表，有胆来玩！
破处之旅
十八岁的伊恩（乔什·朱克曼 Josh Zuckerman 饰）一直被好友奚落为“美国最后一个处男”，他一直被发好人卡，泡妞技术还不如14岁的弟弟。在网上认识一个叫“DANIELLE”的女孩后，似乎转机到来了，对方答应只要他前往诺克斯维尔市见他，就会和他发生关系。带着破处的愿望，伊恩与两个好友——万人迷兰斯（克拉克·杜克 Clark Duke 饰）和假小子费莉西亚（阿曼达·克鲁 Amanda Crew 饰）一起上路了。其实费莉西亚是伊恩一直很有好感的女孩，但是她似乎一直钟情兰斯，三个人同行一路，遇到各种爆笑奇事，也渐渐发现自己心底真正的情感需求……
嗨，妈妈！
In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment