剧情纵览
别名:入侵者 The Intruders (1975),这是发生在瑞典乡村的一个关于勒索与欲望的故事 一个周末,理查德发现一位原子科学家的妻子有了外遇,同时,他们的儿子酒后无照驾车。由于理查德是个阴险小人,他便跟女友佯装成兄妹一起来到这位科学家的门口并借口进了门。他以手上的把柄当作武器要挟屋内的每个人,直到让所有人都交欢了伴侣、他自己也发泄完了兽欲为止;
别名:入侵者 The Intruders (1975),这是发生在瑞典乡村的一个关于勒索与欲望的故事 一个周末,理查德发现一位原子科学家的妻子有了外遇,同时,他们的儿子酒后无照驾车。由于理查德是个阴险小人,他便跟女友佯装成兄妹一起来到这位科学家的门口并借口进了门。他以手上的把柄当作武器要挟屋内的每个人,直到让所有人都交欢了伴侣、他自己也发泄完了兽欲为止;
故事讲述鲍伯刚和恋情长跑的女友分手,心碎不已时巧遇一只可爱到不行的流浪猫,而鲍伯好友克拉伦斯更被小猫萌翻,两人给小猫取名‘Keanu’,而‘百炼钢化为绕指柔’大男人从此化身猫奴,每天陪猫、爱猫,与猫为伍。某天鲍伯的家被流氓集团闯空门,更惨的是他们的爱猫‘Keanu’竟然被绑架!为了营救爱猫,两人决定混入贩卖毒品的圈子,为方便接近流氓集团......
情感博主祝君好(朱颜曼滋 饰)与在民政局工作的龚玺(任彬 饰),两个本该最懂“爱”的人,却在520这天领了离婚证。面对毁不掉的婚纱照和分不清的牵绊,两人一拍即合,决定开启一段“非传统”的高效关系——互给对方介绍对象!然而相亲局逐渐失控,龚玺重逢了自己曾经的相亲对象纪小舒(赵小棠 饰),祝君好则遇上了前任向涵(王天放 饰),还有“八离世家”的霸总和“懂王”附体的弟弟。这对“离婚搭子”在互坑与互助之间,开始重新审视自己的亲密关系,也意外踏上了一段关于“爱”的二次探索。
正值青春期的少女艾玛(苏菲·瓦瓦希尔 Sophie Vavasseur 饰)因小事与父母发生争吵,继而用玻璃碎片割破自己的手掌。在此之后,父母子女的关系虽有所松动,但是新的危机已悄悄展开。艾玛是不是会做出些奇怪的举止,这令父母异常担心,于是只得将艾玛留在家中接受教育。期间他们尝试带女儿去看具有催眠本领的心理医生,谁知医生最终猝死艾玛的膝上。艾玛自感自己已被魔鬼附体,因此不顾崇尚科学的父母的反对,执意求助于因驱魔失败而被革除神职的舅舅基斯(道·布莱德利 Doug Bradley 饰)。 基斯似乎渐渐证实了艾玛的猜测,而她体内那股邪恶的力量也变得越来越强大……
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.