剧情纵览
剧中所叙述的是:画家水木让二曾经是个风行一时的女性画家,他压服心仪的女性但当模特,与她们发作关系后又转而丢弃,一心扑在画作上。但他的事业在高峰期呈现拐点,从此成为一名无家可归的漂泊汉。水木偶然将四周的事物画在废纸板上,然后标价出卖,抑或是整天游荡街头,无所事事。某天,银座冈本画廊的女经纪人橘今日子发现水木的画,即可为他的才气所服气。她百般劝说水木与之签约,以至甘愿担当水木的模特。
剧中所叙述的是:画家水木让二曾经是个风行一时的女性画家,他压服心仪的女性但当模特,与她们发作关系后又转而丢弃,一心扑在画作上。但他的事业在高峰期呈现拐点,从此成为一名无家可归的漂泊汉。水木偶然将四周的事物画在废纸板上,然后标价出卖,抑或是整天游荡街头,无所事事。某天,银座冈本画廊的女经纪人橘今日子发现水木的画,即可为他的才气所服气。她百般劝说水木与之签约,以至甘愿担当水木的模特。
美联社、《生活》杂志等著名媒体都曾报道过1964年的“月光凶杀案”,当时小镇坠入一片恐慌,一到黄昏就全镇戒严,全副武装的警察上街巡逻。直到三个月再无袭击发生,警察才逐渐撤出。1976年,曾有一部根据该案件改编的同名影片上映。两名幸存者描述凶手有六英尺高,头戴面具,只露出眼睛和嘴巴。 2014年版《杀出魔鬼镇》中,连环凶杀再度开始,面具杀手时隔六十多年重现特克萨卡纳,究竟是有人故意模仿,还是有更恐怖的事情暗中酝酿?一个孤独的高中女生,似乎知晓解开这一切的秘密。
Can I Get a Witness? tells the story of a mother and daughter in a near-future world where huge sacrifices are made to maintain life on Earth. With its resources swallowed by e-waste and overpopulation, the world is experiencing an anthropogenic collapse. To manage, technological advances are shunned. Nobody has electricity and only people with exceptions are permitted cars. Most importantly, there is also a collective agreement that nobody is allowed to live beyond the age of 50. Oh’s Ellie lives with her teenage daughter Kiah (Keira Jang), who is starting her first day as a Documenter, an important role in this new world order. She uses her artistic gifts — beautifully conjured in animations — to draw the dying ceremonies, since printing and photography have been banned. Kiah is paired with Daniel (Joel Oulette), the young man who performs the contractual elements of each person’s end-of-life ceremony. He matter-of-factly provides the packages a person can choose, sets them up when the time comes, and performs the burials. But his new coworker is having a hard time handling the emotional impacts of the job.
为纪念逝世的奶奶,许久未见的堂兄弟大卫与班吉相约前往波兰参加导览团,也顺道探访奶奶的老家。一路上,班吉有话直说、率性风趣的性格迅速与同团人士拉近距离,令木讷拘谨的大卫既焦虑又羡慕,压抑已久的情绪日益沸腾。然而,随着旅途种种安排不断挑动班吉的敏感神经,他的狂放不羁似乎逐渐走向失序,大卫试图息事宁人,但内心的不安却席卷而来。这趟寻根之旅,能否解决彼此心底难以言说的痛楚?
陷入人生低谷的小说家路空文(董子健 饰)被巨大的诱惑牵引,导致他自己和书中的角色都陷入了不可逆转的危机。最终小说家找回了信念,与书中人一起拯救了双世界危机。