一个好妈妈
아들하루마는엄마와이혼후젊은애인나나세를데려와시도때도없이애정행각을벌이는아버지에게크게실망한다.게다가아버지는얼마지나지않아나나세를두고또바람을피운다.상처받은나나세를위로하던하루마는곧그녀의마음뿐아니라몸까지어루만지기시작한다.
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剧情提要
아들하루마는엄마와이혼후젊은애인나나세를데려와시도때도없이애정행각을벌이는아버지에게크게실망한다.게다가아버지는얼마지나지않아나나세를두고또바람을피운다.상처받은나나세를위로하던하루마는곧그녀의마음뿐아니라몸까지어루만지기시작한다.
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Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
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The pic is set in the aftermath of an apocalyptic event that forces people into extreme isolation. A father (Moyer) and son (Van Acker), who have been living off grid for 20 years, encounter an outsider (Silverstone) who threatens to destroy the utopia they’ve built.