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天堂孤影1986
马蒂·佩龙帕,卡蒂·奥廷宁,萨卡里·库斯曼嫩,埃斯科·尼卡里,Kylli Köngäs,佩卡·莱霍,Jukka-Pekka Palo,Svante Korkiakoski,Mari Rantasila,Safka Pekkonen,Antti Ortamo,马托·瓦尔托宁,Sakke Järvenpää,Ulla Kuosmanen,Neka Haapanen,阿基·考里斯马基安吉的治疗
拉内特·塔切尔,肖恩·尼尔森,精华阿特金斯死星
Yoon C. Joyce,Diandra Elettra Moscogiuri,Margherita Scotti,Olga Egorova,Ivan King,Gloria Capelli,Maria Arismendi,Giorgio Consoli,Noemi Marotta,Francesco Tinelli真理与背叛
伊万·霍罗克斯,鲁珀特·伊文斯,费迪南德·麦凯,Daf Thomas,Nye Occomore,乔安娜 克里斯蒂,肖恩·马洪,Sylvie Varcoe,本·迪洛韦,丹尼尔·贝茨,Celinde Schoenmaker,Aaron Zicman,Gwenver Farnworth,克里斯托斯·劳顿,多米尼克·马夫海姆,Gabriel Scott,John Sackville,Maxim Ays,Sam Pamphilon,布莱恩·卡斯佩绑架2016
西耶娜·盖尔利,威廉·B·戴维斯,梅丽·卡尔维续写哈姆雷特
史蒂夫·库根,娜塔莉·阿门努拉,梅罗妮·迪亚兹,伊丽莎白·苏,凯瑟琳·基纳同类精选
盛夏假期遇见爱
艾米丽·巴德,汤姆·布莱斯,莎拉·凯瑟琳·胡克 ,卢锡安·拉维斯科特,迈尔斯·赫尔泽,贾米拉·贾米尔,汤米·杜,卢卡斯·盖奇,爱丽丝·李,莫莉·香侬,阿兰·卢克,斯宾瑟·内维尔,伊恩·波特,马德琳·阿库阿,约翰·贾巴雷,贝瑟妮·安妮·林德,迈克尔·A·纽科默,劳拉·弗兰纳里,莱顿·威廉姆斯,埃米·勒雨和闪电的气息
麦卡·梦露,玛姬·格蕾斯,布拉德·卡特红衣新娘2022
莎拉·菲尔伯鲍姆,爱德华多·诺列加,安娜·加列娜,迪诺·阿布雷夏,克里斯蒂娜·多纳迪奥,Maurizio Marchetti,马西莫·吉尼,罗伯塔·吉拉鲁索,Odette Adado,Ippolita Baldini,Angie Balzan,Mariangela Casalucci,Malich Cissé,Angele Galea,巴基萨·梅加,Gino Nardella, 玛丽西亚·S·佩雷斯,Stefano Pesce,Francesca Rocco,Esmeralda Spadea咸鱼翻生
洪金宝,午马,麦嘉,石天,林正英,钟发,曾志伟,刘雅丽百年好合
郑秀文,古天乐,李冰冰,林雪,韩君婷,张锦程,夏雨,颜颖思佐治亚州风暴
威廉·亚当斯,杰齐贝尔·阿纳特,杰里·切瑟,Eddie Rodgers,约瑟夫·祖霍夫斯基影视排行
撞到正
萧芳芳,钟镇涛,刘天兰,刘克宣,关聪粵劇的「舊」，為「新浪潮」提供了上佳的戲劇背景。許鞍華的第二部作品以戲班後台作為舞台，泡製出一個寓風格於現實的故事。長洲可說是一個大型的後台，其古樸的離島風貌，配合了粵劇肖象性的化妝、絢麗的服飾及富於感觀性的舞台表演，營造出一股詭秘妖異的氣氛。兩代恩怨竟牽涉商業騙局及軍政大事，陰與陽、人與鬼、新與舊、老與少、真與假，錯綜複雜。蕭芳芳的演出收放自如，演活了「十三點」的鬼馬二幫花旦。導演許鞍華充滿獵奇意味的筆觸，更為粵劇描繪出一種特殊的魅力。
哈哈哈新年喜戏
姜皓文,宣萱,李灿森,陈静,林盛斌,温绍平富商段宇宸（姜皓文 饰）因为意外失忆，踏上了一段追寻真相的旅程，却在途中揭出被隐藏多年的秘密。在这个故事中，姜皓文同时饰演段宇宸及另一角色魏星，让人期待他如何展现这两个不同的人生……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
钢铁飞龙之再见奥特曼
侯勇,大张伟,金晨,曲哲明,向佐,罗云熙,郝劭文,汪铎,屈菁菁保护地球、维护和平，奥特曼对于地球人来说曾经是神一样的存在，但是近几十年，他却消失不见行踪成谜……随之取替他的是钢铁飞龙精锐小分队——隶属于GSB地球安全保卫组织。而GSB近期不断收到地球能源异常报告，全球各地纷纷出现巨大灾难。GSB组织派出钢铁飞龙，查明能源异常原因，却意外发现事件与奥特曼有关系……新旧两代地球守护者的意外相见，却成为你死我活的敌对双方。到底，这是一场意外还是一场阴谋，是谁看到了最后的事实真相？